02538nam 2200601 a 450 991082728210332120240313092101.01-4438-1997-2(CKB)3390000000009072(EBL)1080933(OCoLC)816399178(SSID)ssj0001013314(PQKBManifestationID)11552663(PQKBTitleCode)TC0001013314(PQKBWorkID)10974114(PQKB)11588148(Au-PeEL)EBL1080933(CaPaEBR)ebr10633083(CaONFJC)MIL248152(OCoLC)828424003(FINmELB)ELB132208(MiAaPQ)EBC1080933(EXLCZ)99339000000000907220121214d2010 uy 0engur|n|---|||||txtccrPerforming consciousness /edited by Per Brask and Daniel Meyer-Dinkgrafe1st ed.Newcastle upon Tyne Cambridge Scholars Pub.2010Newcastle upon Tyne Cambridge Scholars Pub.20101 online resource (229 p.)Description based upon print version of record.1-4438-1634-5 Includes bibliographical references.TABLE OF CONTENTS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CONTRIBUTORSSince its inaugural issue in April, 2000, the journal Consciousness, Literature and the Arts has regularly published essays on the intersection of theatre and consciousness. Often these essays have seen theatre as a spiritual practice that for both the performer and her audience can bring about experiences that help heal the world, a shift in consciousness. This practice, though spiritual, is not ethereal but is rooted in doing, in actions, in breathing. That is, theatre is seen as an art f...ActingPsychological aspectsActingPhilosophyActingPsychological aspects.ActingPhilosophy.792.028019Brask Per1493235Meyer-Dinkgrafe Daniel1958-852416MiAaPQMiAaPQMiAaPQBOOK9910827282103321Performing consciousness4064798UNINA