03800nam 2200541 450 991082727450332120220627232521.01-4744-3047-31-4744-0674-21-4744-0673-410.1515/9781474406734(CKB)3710000001156121(StDuBDS)EDZ0001740645(MiAaPQ)EBC5013870(DE-B1597)615181(DE-B1597)9781474406734(EXLCZ)99371000000115612120171006h20172017 uy 0engur|||||||||||rdacontentrdacontentrdamediardacarrierImpossible puzzle films a cognitive approach to contemporary complex cinema /Miklós Kiss and Steven WillemsenEdinburgh, [Scotland] :Edinburgh University Press,2017.©20171 online resource illustrations (black and white)Previously issued in print: 2017.1-4744-0672-6 Includes bibliographical references, filmographies, and index.Frontmatter --Contents --Acknowledgements --Introduction --I.1 In this book --Chapter 1 Contemporary Complex Cinema --1.1 Complex conditions: the resurgence of narrative complexity --1.2 Complex cinema as brain-candy for the empowered viewer --1.3 Narrative taxonomies: simple, complex, puzzle plots --Chapter 2 Cognitive Approach to Contemporary Complex Cinema --2.1 Why an (embodied-)cognitive approach? --2.2 Various forms of complexity and their effects on sense-making --2.3 A cognitive approach to classifying complexity --Chapter 3 Narrative Complexity and Dissonant Cognitions --3.1 The concept of cognitive dissonance --3.2 Cognitions in dissonance: from social psychology to narrative engagement --3.3 Types of dissonance in narrative comprehension --3.4 Cognitive access to impossible storyworlds: immersed and reflected operations --3.5 ‘Impossibilities’ and embodied cognition --Chapter 4 Taming Dissonance: Cognitive Operations and Interpretive Strategies --4.1 Cognitive dissonance versus narrative coherence --4.2 Reducing dissonance: interpretation and naturalisation --4.3 Coping with dissonance: frame-switches and poetic and aesthetic readings --4.4 Frame-switching as hermeneutic play in impossible puzzle films --Chapter 5 Impossible Puzzle Films: Between Art Cinema and (Post-)Classical Narration --5.2 Impossible puzzle films and (post-)classical narration --Chapter 6 Wallowing in Dissonance: The Attractiveness of Impossible Puzzles --6.1 Hermeneutic play and interpretive multiplicity --6.2 Orientation, navigation, mapping --6.3 Game logic and the fascination in failure --6.4 Effort justification --6.5 Diegetisation of decoupling --6.6 Fascination in infinity --6.7 Destabilised ontological certainty --6.8. Eudaimonic motivations and intrinsic needs --References --Filmography --IndexBy blending film studies and cognitive sciences, Miklós Kiss and Steven Willemsen's study on impossible puzzle films looks into the relation between complex storytelling and the mind. Films looked at include 'Donnie Darko,' 'Mulholland Drive' and 'Primer.'Motion picturesPhilosophyNarration (Rhetoric)Motion picturesPhilosophy.Narration (Rhetoric)791.43684AP 45200rvkKiss Miklós(College teacher),1638565Willemsen StevenMiAaPQMiAaPQMiAaPQBOOK9910827274503321Impossible puzzle films3981078UNINA