02822nam 2200661Ia 450 991082724010332120240509055713.01-315-59667-91-317-09232-51-317-09231-71-282-77411-597866127741191-4094-1824-3(CKB)2670000000044131(EBL)581334(OCoLC)694729128(SSID)ssj0000459289(PQKBManifestationID)12194669(PQKBTitleCode)TC0000459289(PQKBWorkID)10460472(PQKB)10317701(Au-PeEL)EBL581334(CaPaEBR)ebr10411950(CaONFJC)MIL919133(MiAaPQ)EBC581334(EXLCZ)99267000000004413120100521d2010 uy 0engur|n|---|||||txtccrMusic and the modern condition investigating the boundaries /Ljubica Ilic1st ed.Burlington, VT Ashgatec20101 online resource (132 p.)Description based upon print version of record.1-4094-0761-6 Includes bibliographical references and index.Cover; Contents; Introduction: The Limits of the Work, the Limits of the World; 1 Mirrors and Echoes: Beyond the Confines of Theatrical Space; 2 The Unutterable Silence: O Word, Thou Word that I Lack; 3 The Terror of Desire: Arbitrary Outcomes or the Dei ex Machinis; Bibliography; IndexTwo crucial moments in the formation and disintegration of musical modernity and the musical canon occurred at the turn of the seventeenth and the first half of the twentieth century. Dr Ljubica Ilic provides a fresh and close look at these moments, exploring the ways musical compositions shift to and away from ideological structures identified with modernity. The focus is on European art music whose grand narrative, defined by tonality and teleological development, begins in the seventeenth century and ends with twentieth-century modernisms. Seeing musical storytelling as a metaphoric represeModernism (Music)Music20th centuryHistory and criticismMusic17th centuryHistory and criticismMusicSocial aspectsHistoryModernism (Music)MusicHistory and criticism.MusicHistory and criticism.MusicSocial aspectsHistory.780.9/03Ilic Ljubica1627503MiAaPQMiAaPQMiAaPQBOOK9910827240103321Music and the modern condition3964125UNINA