02726nam 2200697Ia 450 991082695450332120240417220655.01-283-43200-597866134320010-252-09367-4(CKB)2550000000089204(OCoLC)779775777(CaPaEBR)ebrary10532378(SSID)ssj0000600781(PQKBManifestationID)11393416(PQKBTitleCode)TC0000600781(PQKBWorkID)10601110(PQKB)10714892(MiAaPQ)EBC3413906(StDuBDS)EDZ0000649238(MdBmJHUP)muse23660(Au-PeEL)EBL3413906(CaPaEBR)ebr10532378(CaONFJC)MIL343200(OCoLC)923493605(EXLCZ)99255000000008920420110415d2011 ub 0engurcn|||||||||txtrdacontentcrdamediacrrdacarrierFrom Jim Crow to Jay-Z race, rap, and the performance of masculinity /by Miles White1st ed.Urbana University of Illinois Pressc20111 online resource (177 p.)African American music in global perspectiveBibliographic Level Mode of Issuance: Monograph0-252-07832-2 0-252-03662-X Includes bibliographical references and index.Shadow and act : American popular music and the absent black presence -- The fire this time : black masculinity and the politics of racial performance -- Affective gestures : hip-hop aesthetics, blackness and the literacy of performance -- Real niggas : black men, hard men, and the rise of gangsta culture -- Race rebels : whiteness and the new masculine desire.This multilayered study of the representation of black masculinity in musical and cultural performance takes aim at the reduction of African American male culture to stereotypes of deviance, misogyny, and excess.African American music in global perspective.Rap (Music)Social aspectsUnited StatesAfrican American menRace identityMusic and raceMasculinityUnited StatesRap (Music)Social aspectsAfrican American menRace identity.Music and race.Masculinity305.38/896073White Miles1954-1623915MiAaPQMiAaPQMiAaPQBOOK9910826954503321From Jim Crow to Jay-Z3958597UNINA