02921nam 2200673Ia 450 991082679170332120200520144314.01-315-57029-71-317-17146-21-317-17145-41-281-79858-497866117985810-7546-8212-9(CKB)1000000000549864(EBL)438759(OCoLC)323471970(SSID)ssj0000115077(PQKBManifestationID)11128505(PQKBTitleCode)TC0000115077(PQKBWorkID)10029465(PQKB)11367396(Au-PeEL)EBL438759(CaPaEBR)ebr10250454(CaONFJC)MIL924633(MiAaPQ)EBC438759(FINmELB)ELB158660(EXLCZ)99100000000054986420080102d2008 uy 0engurcn|||||||||txtccrBritish short fiction in the early nineteenth century the rise of the tale /Tim Killick1st ed.Aldershot, England ;Burlington, VT Ashgatec20081 online resource (200 p.)Description based upon print version of record.0-7546-6413-9 Includes bibliographical references (p. [165]-187) and index.Cover; Contents; Acknowledgements; Introduction; 1 Overview: Short Fiction in the Early Nineteenth Century; 2 Washington Irving: Geoffrey Crayon and the Market for Short Fiction; 3 Improving Stories: Women Writers, Morality, and Short Fiction; 4 Regionalism and Folklore: Local Stories and Traditional Forms; Conclusion: Short Fiction in the 1830's; Bibliography; IndexContextualizing British short fiction within the broader context of Romantic-era print culture, Tim Killick argues that authors such as Washington Irving, Mary Russell Mitford, and James Hogg championed the use of short fiction during a period predominantly associated with novel-writing and poetry. His book makes a convincing case for the evolution of short fiction into a self-conscious and modern genre, with its own techniques and imperatives, separate from those of the novel.English fiction19th centuryHistory and criticismLiterary formHistory19th centuryShort stories, EnglishHistory and criticismShort storyEnglish fictionHistory and criticism.Literary formHistoryShort stories, EnglishHistory and criticism.Short story.823/.0109Killick Tim1623512MiAaPQMiAaPQMiAaPQBOOK9910826791703321British short fiction in the early nineteenth century3957926UNINA