02930nam 2200709 a 450 991082673420332120200520144314.00-8166-5643-6(CKB)1000000000535997(EBL)349966(OCoLC)476167468(SSID)ssj0000155558(PQKBManifestationID)11151531(PQKBTitleCode)TC0000155558(PQKBWorkID)10113318(PQKB)11705331(MiAaPQ)EBC349966(OCoLC)235440996(MdBmJHUP)muse39135(Au-PeEL)EBL349966(CaPaEBR)ebr10233810(CaONFJC)MIL525812(EXLCZ)99100000000053599720080204d2008 uy 0engur|n|---|||||txtccrFirst person Jewish /Alisa S. Lebow1st ed.Minneapolis University of Minnesota Press20081 online resource (240 p.)Visible evidence ;v. 22Description based upon print version of record.0-8166-4355-5 0-8166-4354-7 Includes bibliographical references and index.1. Memory Once Removed: indirect memory and transitive autobiography in Chantal Akerman's D'Est -- 2. Reframing the Jewish family -- 3. A treyf autocritique of autobiography -- 4. Ambivalence and ambiguity in queer Jewish subjectivity -- Conclusion: a limit case for Jewish autoethnography.Alisa S. Lebow examines films from Jewish artists to reveal how the postmodern impulse to turn the lens inward intersects provocatively (and at times unwittingly) with historical tropes and stereotypes of the Jew. Using a multidisciplinary approach Lebow shows how this form of self-expression is challenging both autobiography and documentary and, in the process, changing the art of cinema and recording the cultural shifts of our time.Visible evidence ;v. 22.Jews in motion picturesJewish motion picture producers and directorsDocumentary filmsHistory and criticismAutobiographyIdentity (Psychology) in motion picturesStereotypes (Social psychology) in motion picturesJews in motion pictures.Jewish motion picture producers and directors.Documentary filmsHistory and criticism.Autobiography.Identity (Psychology) in motion pictures.Stereotypes (Social psychology) in motion pictures.791.43/6529924Lebow Alisa1621089MiAaPQMiAaPQMiAaPQBOOK9910826734203321First person Jewish3954221UNINA