01101nam0-2200349li-450 99000016045020331620180312154913.03-540-57037-30016045USA010016045(ALEPH)000016045USA01001604520001109d1994----km-y0itay0103----baengGW<<The>> linearization method for constrained optimizationB.N. Pshenichnyjtranslated fromthe Russian by Stephen S. WilsonBerlinSpringercopyr. 1994programmazione non lineare519.76.Pshenichny,Boris N.746568Wilson,Stephen S.Sistema bibliotecario di Ateneo dell' Università di SalernoRICA990000160450203316519.76 PSH0005730BKTEC1995033020001110USA01171220020403USA011623PATRY9020040406USA011612Linearization method for constrained optimization1501500UNISA04068nam 2200721 450 991082665390332120200520144314.01-61148-045-0(CKB)3710000000222696(EBL)1767219(SSID)ssj0001288838(PQKBManifestationID)11734497(PQKBTitleCode)TC0001288838(PQKBWorkID)11296408(PQKB)10352979(MiAaPQ)EBC1767219(Au-PeEL)EBL1767219(CaPaEBR)ebr10909616(CaONFJC)MIL637738(OCoLC)888746483(EXLCZ)99371000000022269620140830h20112011 uy 0engur|n|---|||||txtccrFigures of memory from the muses to eighteenth-century British aesthetics /Zsolt KomáromyLanham, Maryland ;Plymouth, England :Bucknell University Press,2011.©20111 online resource (237 p.)Transits : Literature, Thought & Culture, 1650-1850Description based upon print version of record.1-322-06487-3 1-61148-044-2 Includes bibliographical references and index.Figures Of Memory ; CONTENTS; Acknowledgments; Introduction: The Reproductive-Productive Dichotomy and Beyond; PART ONE : On Notions of Memory; 1 Memory/Imagination: The Representational Model; 2 Conceptual Cruxes: Plato and the Aporia of Memory; i. "Ridiculous Birdcages or Waxen Slabs":Figures of Representational Memory; ii. Plato and the Muses: Self-Validating Memory; iii. The Function of Cruxes: Memory Validating the Imagination; 3 Mnemonic Practice: The Constructive Model; i. Mnemonic Discourse; ii. Constructive Memory; PART TWO:Figures of Memory in Eighteenth-Century British Aesthetics4 Mixing Tracesi. Descartes and Memory's Fluid Motions; ii. Pope's Melting Wax; 5 Mnemonic Imagination; i. Violent Spirits: Addison's Cartesian Concerns; ii. Analogous Exertions: Gerard and Associationism as a Figure of Memory; Memory and Imagination in the Theory of Association; Memory as the Model of Imagination in Gerard's Essay on Genius; iii. Using the Legacy of the Muses: Kames and Vivacity as a Figure of Memory; The "Vivacity" of Memory and Imagination; The "Complete Idea of Memory" in Kames's Elements of Criticism; iv. Conclusion; Works Cited; Index; About the AuthorThis book effects a rapprochement between memory studies and eighteenth-century aesthetics with the aim of modifying received views on the role and fate of memory in the history of criticism. It argues that the philosophical problems characterizing conceptualizations of memory unsettle its opposition to the imagination and explain its relation to literary discourse. Moving from the Muses through Plato and Descartes to works by Pope, Addison, Gerard, and Kames, the book traces these problems through various ''figures'' representing notions of memory, and claims that eighteenth-century criticalTransits (Bucknell University)CriticismGreat BritainHistory18th centuryEnglish literature18th centuryHistory and criticismTheory, etcMemory in literatureImagination in literatureMemory (Philosophy)Imagination (Philosophy)Aesthetics, British18th centuryCriticismHistoryEnglish literatureHistory and criticismTheory, etc.Memory in literature.Imagination in literature.Memory (Philosophy)Imagination (Philosophy)Aesthetics, British820.9/353Komáromy Zsolt1663974MiAaPQMiAaPQMiAaPQBOOK9910826653903321Figures of memory4021711UNINA