06712nam 2200517 450 991082649430332120230809222900.01-4725-8819-3(CKB)3710000001084238(MiAaPQ)EBC4817858(EXLCZ)99371000000108423820170317h20172017 uy 0engurcnu||||||||rdacontentrdamediardacarrierDocumenting performance the context and processes of digital curation and archiving /edited by Toni SantLondon, England :Bloomsbury Methuen Drama,2017.©20171 online resource (393 pages) illustrations, tables1-4725-8817-7 1-4725-8820-7 Includes bibliographical references and index.Machine generated contents note: -- 1. Documenting Performance: An Introduction -- Toni Sant (University of Hull, United Kingdom) Part I: Documenting Performance in a Digital Curation Context -- 2. Performing Arts and Their Memories -- Daniela Salazar (New University of Lisbon, Portugal) -- 3. Description Models for Documenting Performance -- Alberto Pendón (Miguel de Cervantes Municipal Theatre, Spain) and -- Gema Bueno (Charles III University of Madrid, Spain) -- 4. Intellectual Property Matters for Documenting Performance -- Jeanine Rizzo (Fenech & Fenech Advocates, Malta) -- 5. Expanding Documentation, or making the most of the cracks in the wall -- Annet Dekker (Piet Zwart Institute, the Netherlands), -- Gabriella Giannachi (University of Exeter, United Kingdom), and -- Vivian van Saaze (Maastricht University, the Netherlands) Part II: Ways of Documenting -- 6. Remembering Performance Through the Practice of Oral History -- Panayiota Demitriou (University of Bristol, United Kingdom) -- 7. Translating Performance: desire, intention and interpretation in photographic documents -- Helen Newall (Edge Hill University, United Kingdom), -- Amy Skinner (University of Hull, United Kingdom), and -- Allan Taylor (University of East London, United Kingdom) -- 8. Documenting Audience Experience: Social Media as Lively Stratification -- Joanna Bucknall (The University of Portsmouth, United Kingdom) and -- Kirsty Sedgman (United Kingdom) -- 9. Web Archiving and Participation: the future history of performance? -- Vanessa Bartlett (University of New South Wales, Australia) -- 10. Documenting Digital Performance Artworks -- Adam Nash (RMIT University, Australia) and -- Laurene Vaughan (RMIT University, Australia) Part III: Documenting and Archiving -- 11. Paradocumentation and NT Live's 'CumberHamlet' -- Daisy Abbott (Glasgow School of Art, United Kingdom) and -- Claire Read (University of Roehampton, United Kingdom) -- 12. Archiving Shakespeare and Thinking Virtually in a Distracted Globe -- Alvin Eng Hui Lim (National University of Singapore, Singapore) -- 13. From Copper-Plate Inscriptions to Interactive Websites: Documenting Javanese Wayang Theatre -- Miguel Escobar (National University of Singapore, Singapore) -- 14. Documenting Music Performance in the Western Australian New Music Archive -- Cat Hope (Western Australian Academy of Performing Arts, Australia), -- Adam Trainer (Western Australian Academy of Performing Arts, Australia), and Lelia Green (Western Australian Academy of Performing Arts, Australia) -- 15. Participation and Presence: Propositional Frameworks for Engaging Users in the Design of the Circus Oz Living Archive -- Laurene Vaughan (RMIT University, Australia) Part IV: Documenting Bodies in Motion 16. What do we document? Dense video and the epistemology of practice -- Ben Spatz (University of Huddersfield, United Kingdom) -- 17. The Pleasures of Writing about the Pleasures of the Practice: Documenting Psychophysical Performer Training -- Alissa Clarke (De Montfort University, United Kingdom) -- 18. Dance Archival Futures: Embodied Knowledge and the Digital Archive of Dance -- Laura Griffiths (Leeds Beckett University, United Kingdom) -- 19. Documenting Dance: Tools, Frameworks and Digital Transformation -- Sarah Whatley (Coventry University, United Kingdom) List of Contributors -- Notes -- Index."Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance. Through its four-part structure, the volume introduces readers to important writings by international practitioners and scholars on: * the contemporary context for documenting performance * processes of documenting performance * documenting bodies in motion * documenting to create In each, chapters examine the ways performance is documented and the issues arising out of the process of documenting performance. While theorists have argued that performance becomes something else whenever it is documented, the writings reveal how the documents themselves cannot be regarded simply as incomplete remains from live events. The methods for preserving and managing them over time, ensuring easy access of such materials in systematic archives and collections, requires professional attention in its own right. Through the process of documenting performance, artists acquire a different perspective on their own work, audiences can recall specific images and sounds for works they have witnessed in person, and others who did not see the original work can trace the memories of particular events, or use them to gain an understanding of something that would otherwise remain unknown to them and their peers"--Provided by publisher.Performing arts archivesArchivesPhilosophyArchivesManagementPerforming artsArchival resourcesDigital preservationPerforming arts archives.ArchivesPhilosophy.ArchivesManagement.Performing artsArchival resources.Digital preservation.026/.792PER011000bisacshSant ToniMiAaPQMiAaPQMiAaPQBOOK9910826494303321Documenting performance4073497UNINA03877nam1 22005653i 450 SBL032058220251003044352.0IT80216 20020321d1979 ||||0itac50 baitaitz01i xxxe z01nCapitale industriale e capitale finanziarioil caso italianoa cura di Fausto VicarelliBolognaIl mulino[1979]413 p.22 cm.Studi e ricerche96001CFI00014232001 Studi e ricerche96001CSA01223152001 Capitale finanziario e struttura industrialeRenato Balducci.700 1Balducci, RenatoCFIV085978070001CSA01223162001 Lineamenti di un trentennio di politica monetariaMauro Marconi.700 1Marconi, MauroCFIV064542070001CSA01223202001 ˆIl ‰rendimento del consolidato dal 1862 al 1946Bruno Bianchi.700 1Bianchi, Bruno <omonimi non identificati>CFIV010834070001CSA01223222001 Moneta e accumulazione negli schemi neoclassici di crescita in stato uniformeFausto Vicazelli.700 1Vicarelli, FaustoCFIV001924070001CSA01223232001 ˆle ‰strutture finanziarieaspetti quantitativi di lungo periodo(1870 - 1970)di Anna Maria Biscaini Cotula, Pierluigi Ciocca.702 1Ciocca, PierluigiCFIV059030070700 1Biscaini Cotula, Anna MariaCSAV037990070001CSA01223242001 Evoluzione settoriale del credito e struttura degli intermediari finanziariMaria Luisa Marinelli.700 1Marinelli, Maria LuisaCFIV109504070001CSA01223252001 ˆUn ‰modello di comportamento della banca nell'allocazione del creditoAlberto Niccoli.700 1Niccoli, Alberto <1945- >SBNV014355070001CSA01223272001 ˆL'‰evoluzione degli intermediari e dei mercati finanziari1950-1972di Renato Balducci, Mauro Marconi, Maria Luisa Marinelli ... [et al.].702 1Marconi, MauroCFIV064542070700 1Balducci, RenatoCFIV085978070702 1Marinelli, Maria LuisaCFIV109504070ITALIAPOLITICA MONETARIA1946-1976FIRIEIC131608IItaliaPolitica finanziaria1870-1970FIRSBLC063595IFinanzaItaliaFIRCFIC000081E332ECONOMIA FINANZIARIA12336FINANZA PUBBLICA20336.45FINANZA PUBBLICA. Italia21336.45FINANZA PUBBLICA. Italia23Attività finanziarieIndustria finanziariaEconomia finanziariaFinanzaAttività finanziarieFinanzaIndustria finanziariaFinanzaEconomia finanziariaVicarelli, FaustoCFIV001924Vicarelli, F.UTOV565683Vicarelli, FaustoITIT-00000020020321IT-BN0095 IT-NA0457 IT-SA0335 NAP PVBIB PV $NAP BISALA 1 Libri da 1 a 960NAP 01POZZO LIB.Vi sono collocati fondi di economia, periodici di ingegneria e scienze, periodici di economia e statistica e altri fondi comprendenti documenti di economia pervenuti in dono. SBL0320582Biblioteca Centralizzata di Ateneo1 v. in due copie 01POZZO LIB.F. PARRAVICINI 168 0101 0600160485E VMA 1 v. (Precedente collocazione P 193)B 20220727202207271 v. in due copie 01POZZO LIB.F. PARRAVICINI 168 0101 0600169425E VMA (bis 1 v. (2. copia. - Precedente collocazione P. 1085)B 20050930202311028 01 BI PVCapitale industriale e capitale finanziario59382UNISANNIO