04221nam 22008055 450 991082646670332120230129050821.01-4426-6981-01-4426-6980-210.3138/9781442669802(CKB)3710000000371865(EBL)3297400(SSID)ssj0001456196(PQKBManifestationID)12540646(PQKBTitleCode)TC0001456196(PQKBWorkID)11409716(PQKB)11522312(CEL)449660(OCoLC)913977510(CaBNVSL)thg00930610(MiAaPQ)EBC3297400(DE-B1597)498538(DE-B1597)9781442669802(MiAaPQ)EBC4671110(OCoLC)904548279(MdBmJHUP)musev2_106551(EXLCZ)99371000000037186520181023d2018 fg engur|n|---|||||txtccrFashioning Spaces Mode and Modernity in Late-Nineteenth-Century Paris /Heidi Brevik-ZenderToronto : University of Toronto Press, [2018]©20151 online resource (376 p.)1-4426-4803-1 Includes bibliographical references (pages 345-358) and index.Introduction -- Part One: The Staircase -- Fashioning the Commune Barricade: Zola's Au Bonheur des Dames -- Ups and Downs, Surface and Spectacle: Rachilde, Maupassant, and Daudet -- Part Two: The Antechamber -- Waiting for Change: Zola's Au Bonheur des Dames and Nana -- Maupassant, Transformation, and the Unexotic Exotic -- Part Three: The Fashion Atelier -- Places and Spaces of Haute Couture: Feydeau's Tailleur pour dames and Zola's La Curee -- A Woman's Work(space): Dressmaking Ateliers in Huysmans's En Menage and Rachilde's Late-Century Novels -- Epilogue.AnnotationIn Fashioning Spaces, Heidi Brevik-Zender argues that in the years between 1870 and 1900 the chroniclers of Parisian modernity depicted the urban landscape not just in public settings such as boulevards and parks but also in "dislocations," spaces where the public and the intimate overlapped in provocative and subversive ways. Stairwells, theatre foyers, dressmakers' studios, and dressing rooms were in-between places that have long been overlooked but were actually marked as indisputably modern through their connections with high fashion. Fashioning Spaces engages with and thinks beyond the work of critics Charles Baudelaire and Walter Benjamin to arrive at new readings of the French capital. Examining literature by Zola, Maupassant, Rachilde, and others, as well as paintings, architecture, and the fashionable garments worn by both men and women, Brevik-Zender crafts a compelling and innovative account of how fashion was appropriated as a way of writing about the complexities of modernity in fin-de-siecle Paris.French literature19th centuryHistory and criticismModernism (Literature)FranceFashion in literaturePublic spaces in literatureFashionHistory19th centuryClothing and dress in literatureInterior decorationHistory19th centuryInterior architectureHistory19th centuryClothing and dressSocial aspectsParis (France)Social life and customs19th centuryCriticism, interpretation, etc.Electronic books. French literatureHistory and criticism.Modernism (Literature)Fashion in literature.Public spaces in literature.FashionHistoryClothing and dress in literature.Interior decorationHistoryInterior architectureHistoryClothing and dressSocial aspects.840.9/357Brevik-Zender Heidi, 1646294DE-B1597DE-B1597BOOK9910826466703321Fashioning Spaces3993213UNINA