03309oam 2200649I 450 991082622020332120240131141446.01-136-55740-71-315-01825-X0-415-48908-31-136-55733-410.4324/9781315018256 (CKB)2550000001131212(StDuBDS)AH25705228(SSID)ssj0001168047(PQKBManifestationID)11668611(PQKBTitleCode)TC0001168047(PQKBWorkID)11144053(PQKB)11636365(MiAaPQ)EBC1474510(Au-PeEL)EBL1474510(CaPaEBR)ebr10786507(CaONFJC)MIL530921(OCoLC)862049055(OCoLC)868972780(FINmELB)ELB137875(EXLCZ)99255000000113121220180331e20051985 uy 0engur|||||||||||txtccrShakespeare's rhetoric of comic character dramatic convention in classical and Renaissance comedy /Karen NewmanAbingdon, Oxon :Routledge,2005.1 online resource (168 p.)Routledge library editions. ShakespeareComedies ;Volume 6Routledge library editions.ShakespeareFirst published in 1985 by Methuen.0-415-35271-1 1-299-99670-1 Includes bibliographical references and indexes.1. The inward sprints: Measure for Measure II 2. Comic plot conventions in Measure for Measure 3. Menander and New Comedy4. Plautus and Terence5. The enchantments of Circe 6. 'And all their minds transfigur'd': Shakespeare's early comedies 7. Magic versus time: As You Like It and Twelfth Night 8. Mistaking in Much Ado 9. Shakespeare's Rhetoric of consciousnessIn this revisionist history of comic characterisation, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem 'lifelike' or 'realistic'.First published in 1985. In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem 'lifelike' or 'realistic'. His comic practice is firmly set within a comic tradition which stretches from Plautus and Menander to playwrights of the Italian Renaissance. First published in 1985. In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem 'lifelike' or 'realistic'. His comic practice is firmly set within a comic tradition which stretches from Plautus and Menander to playwrights of the Italian Renaissance.Routledge library editions.Shakespeare.ComedyComedy.166Newman Karen1949,1623705FlBoTFGFlBoTFGBOOK9910826220203321Shakespeare's rhetoric of comic character3958279UNINA