02847nam 2200553 450 991082616420332120230810001642.090-04-33075-510.1163/9789004330757(CKB)3710000001009180(MiAaPQ)EBC4790456 2016053081(nllekb)BRILL9789004330757(EXLCZ)99371000000100918020161114h20172017 uy| 0engurcnu||||||||rdacontentrdamediardacarrierArtistic disobedience music and confession in Switzerland, 1648-1762 /by Claudio BacciagaluppiLeiden ;Boston :Brill,[2017]©20171 online resource (279 pages) illustrationsSt Andrews studies in reformation history,2468-431790-04-33074-7 Includes bibliographical references and index.Preliminary Material -- Introduction -- Music in the Confessional Age -- Approaching the Other -- The Book Market -- The ‘Collegia Musica’ -- Conclusions: Music as an Agent of Toleration? -- Appendix: Transcription of Archival Documents -- References -- Index.In Artistic Disobedience Claudio Bacciagaluppi shows how music practice was an occasion for cross-confessional contacts in 17th- and 18th-century Switzerland, implying religious toleration. The difference between public and private performing contexts, each with a distinct repertoire, appears to be of paramount importance. Confessional barriers were overcome in an individual, private perspective. Converted musicians provide striking examples. Also, book trade was often cross-confessional. Music by Catholic (but also Lutheran) composers was diffused in Reformed territories mainly in the private music societies of Swiss German towns (collegia musica). The political and pietist influences in the Zurich and Winterthur music societies encouraged forms of communication that are among the acknowledged common roots of European Enlightenment.St. Andrews studies in Reformation history.Church musicSwitzerland17th centuryChurch musicSwitzerland18th centuryChurch musicCatholic ChurchChurch musicProtestant churchesReformationSwitzerlandChurch musicChurch musicChurch musicCatholic Church.Church musicProtestant churches.Reformation781.71009494/09032Bacciagaluppi Claudio1199566MiAaPQMiAaPQMiAaPQBOOK9910826164203321Artistic disobedience4000821UNINA