02565nam 2200589 450 991082612340332120200520144314.01-78238-576-210.1515/9781782385769(CKB)3710000000355268(EBL)1707815(OCoLC)903317533(SSID)ssj0001423469(PQKBManifestationID)12559949(PQKBTitleCode)TC0001423469(PQKBWorkID)11433626(PQKB)11489050(MiAaPQ)EBC1707815(Au-PeEL)EBL1707815(CaPaEBR)ebr11019573(CaONFJC)MIL726362(DE-B1597)636989(DE-B1597)9781782385769(EXLCZ)99371000000035526820150216h20152015 uy 0engur|n|---|||||txtccrBodies in pain emotion and the cinema of Darren Aronofsky /Tarja LaineNew York, New York ;Oxford, England :berghahn,2015.©20151 online resource (194 p.)Description based upon print version of record.1-322-95080-6 1-78238-575-4 Includes bibliographical references and index.""Contents ""; ""Figures ""; ""Acknowledgements ""; ""Introduction ""; ""Chapter One. Noise""; ""Chapter Two. Rhythm""; ""Chapter Three. Grief""; ""Chapter Four. Masochism""; ""Chapter Five. The Uncanny Sublime""; ""Conclusion ""; ""Appendix ""; ""Bibliography ""; ""Index "" The films of Darren Aronofsky invite emotional engagement by means of affective resonance between the film and the spectator's lived body. Aronofsky's films, which include a rich range of production from Requiem for a Dream to Black Swan, are often considered ""cerebral"" because they explore topics like mathematics, madness, hallucinations, obsessions, social anxiety, addiction, psychosis, schizophrenia, and neuroscience. Yet this interest in intelligence and mental processes is deeply embedded in the operations of the body, shared with the spectator by means of a distinctively corporeal audEmotions in motion picturesEmotions in motion pictures.791.4302/33092AP 51400rvkLaine Tarja847318MiAaPQMiAaPQMiAaPQBOOK9910826123403321Bodies in pain3960978UNINA