04754nam 2200661 a 450 991082606410332120230126202554.00-292-73552-910.7560/726819(CKB)2550000000073680(EBL)3443581(SSID)ssj0000551742(PQKBManifestationID)11354457(PQKBTitleCode)TC0000551742(PQKBWorkID)10537769(PQKB)10184024(MiAaPQ)EBC3443581(OCoLC)769628624(MdBmJHUP)muse608(Au-PeEL)EBL3443581(CaPaEBR)ebr10519732(DE-B1597)586475(DE-B1597)9780292735521(EXLCZ)99255000000007368020110520d2011 uy 0engur|n|---|||||txtccrMuslim rap, halal soaps, and revolutionary theater[electronic resource] artistic developments in the Muslim world /edited by Karin van Nieuwkerk1st ed.Austin University of Texas Press20111 online resource (302 p.)Description based upon print version of record.0-292-72681-3 Includes bibliographical references and index.Part 1. Artistic developments in the Muslim cultural sphere: ethics, aesthetics, and the performing arts / Karin van Nieuwkerk -- The power of performance. Hardcore Muslims: Islamic themes in Turkish rap between diaspora and homeland / Thomas Solomon -- Contesting Islamic concepts of morality: heavy metal in Istanbul / Pierre Hecker -- Iranian popular music in Los Angeles: a transnational public beyond the Islamic state / Farzaneh Hemmasi -- Part 2. Motivations. Ritual as strategic action: the social logic of musical silence in Canadian Islam / Michael Frishkopf -- Pious entertainment: Hizbullah's Islamic cultural sphere /Joseph Alagha -- Of morals, missions, and the market: new religiosity and "art with a mission" in Egypt / Karin van Nieuwkerk -- Part 3. Staging the body and the world stage. Islamic modernity and the re-enchanting power of symbols in Islamic fantasy serials in Turkey / Ahu Yiğit -- From "evil-inciting" dance to chaste "rhythmic movements": a genealogy of modern Islamic dance-theatre in Iran / Zeinab stellar -- Suficized musics of Syria at the intersection of heritage and the War on Terror; or "a Rumi with a view" / Jonathan H. Shannon -- Afterword / Martin Stokes.From "green" pop and "clean" cinema to halal songs, Islamic soaps, Muslim rap, Islamist fantasy serials, and Suficized music, the performing arts have become popular and potent avenues for Islamic piety movements, politically engaged Islamists, Islamic states, and moderate believers to propagate their religio-ethical beliefs. Muslim Rap, Halal Soaps, and Revolutionary Theater is the first book that explores this vital intersection between artistic production and Islamic discourse in the Muslim world. The contributors to this volume investigate the historical and structural conditions that impede or facilitate the emergence of a "post-Islamist" cultural sphere. They discuss the development of religious sensibilities among audiences, which increasingly include the well-to-do and the educated young, as well as the emergence of a local and global religious market. At the heart of these essays is an examination of the intersection between cultural politics, performing art, and religion, addressing such questions as where, how, and why pop culture and performing arts have been turned into a religious mission, and whether it is possible to develop a new Islamic aesthetic that is balanced with religious sensibilities. As we read about young Muslims and their quest for a "cool Islam" in music, their struggle to quell their stigmatized status, or the collision of morals and the marketplace in the arts, a vivid, varied new perspective on Muslim culture emerges.Popular cultureIslamic countriesArtsIslamic countriesIslam and artIslamic civilizationWestern influencesMuslimsNon-Muslim countriesSocial conditions21st centuryPopular cultureArtsIslam and art.Islamic civilizationWestern influences.MuslimsSocial conditions700.88/297Nieuwkerk Karin van1960-876504MiAaPQMiAaPQMiAaPQBOOK9910826064103321Muslim rap, halal soaps, and revolutionary theater3956065UNINA