02781oam 2200637I 450 991082574990332120230617003758.01-134-32077-93-639-01701-31-134-32078-70-203-33964-91-280-17103-010.4324/9780203339640 (CKB)1000000000448581(EBL)199438(OCoLC)253001316(SSID)ssj0000255423(PQKBManifestationID)11209535(PQKBTitleCode)TC0000255423(PQKBWorkID)10212414(PQKB)10705287(MiAaPQ)EBC199438(Au-PeEL)EBL199438(CaPaEBR)ebr10162990(CaONFJC)MIL17103(OCoLC)61363552(OCoLC)648142028(EXLCZ)99100000000044858120180706d2005 uy 0engur|n|---|||||txtccrTalking to the audience Shakespeare, performance, self /Bridget EscolmeLondon ;New York :Routledge,2005.1 online resource (211 p.)Description based upon print version of record.0-415-33223-0 0-415-33222-2 Includes bibliographical references and index.Cover; Talking to the Audience: Shakespeare, Performance, Self; Copyright; Contents; List of Illustrations; Acknowledgments; 1. Actors, Academics, Selves; 2. 'Bits and Bitterness': Politics, Performance,; 3. The Point or the Question? Text, Performance,; 4. The Theatre and the Presence Chamber: History, Performance; 5. Performing Human: The Socìetas Raffaello Sanzio; Conclusion; Notes; Productions Cited; Bibliography; IndexThis unique study investigates the ways in which the staging convention of direct address - talking to the audience - can construct selfhood, for Shakespeare's characters. By focusing specifically on the relationship between performer and audience, Talking to the Audience examines what happens when the audience are in the presence of a dramatic figure who knows they are there. It is a book concerned with theatrical illusion; with the pleasures and disturbances of seeing 'characters' produced in the moment of performance.Through analysis of contemporary productions Talking to tTheater audiencesActingTheater audiences.Acting.792.95Escolme Bridget1964-,948747MiAaPQMiAaPQMiAaPQBOOK9910825749903321Talking to the audience4099073UNINA