02611nam 2200649 a 450 991082556800332120200520144314.01-134-89624-797866127779360-203-18217-01-282-77793-91-283-70818-31-134-89625-510.4324/9780203182178 (CKB)1000000000007185(EBL)166139(OCoLC)150645627(SSID)ssj0000284051(PQKBManifestationID)11233549(PQKBTitleCode)TC0000284051(PQKBWorkID)10250615(PQKB)11767964(MiAaPQ)EBC166139(Au-PeEL)EBL166139(CaPaEBR)ebr10017772(CaONFJC)MIL277793(EXLCZ)99100000000000718519911001d1992 uy 0engur|n|---|||||txtccrSelling the sixties the pirates and pop music radio /Robert Chapman1st ed.London ;New York Routledge19921 online resource (308 p.)Description based upon print version of record.0-415-07970-5 0-415-07817-2 Includes bibliographical references (p. 279-286) and index.Book Cover; Title; Copyright; ContentsWas it a non-stop psychedelic party or was there more to pirate radio in the sixties than hedonism and hip radicalism? From Kenny Everett's sacking to John Peel's legendary `Perfumed Garden' show, to the influence of the multi-national ad agencies, and the eventual assimilationof aspects of unofficial pop radio into Radio One, Selling the Sixties examines the boom of private broadcasting in Britain. Using two contrasting models of pop piracy, Radios Caroline and London, Robert Chapman sets pirate radio in its social and cultural context. In doing so he challenges the myths surrounPirate radio broadcastingGreat BritainHistoryPopular music1961-1970History and criticismPirate radio broadcastingHistory.Popular musicHistory and criticism.384.54Chapman Robert1954-1753686MiAaPQMiAaPQMiAaPQhttps://ebookcentral-proquest-com.salford.idm.oclc.org/lib/salford/detail.action?docID=166139BOOK9910825568003321Selling the sixties4189666UNINA