02556nam 2200613 a 450 991082545060332120240516070838.01-283-12297-997866131229711-4411-7289-0(CKB)2670000000094583(EBL)711057(OCoLC)738476047(SSID)ssj0000522333(PQKBManifestationID)12165894(PQKBTitleCode)TC0000522333(PQKBWorkID)10545332(PQKB)10008221(MiAaPQ)EBC711057(Au-PeEL)EBL711057(CaPaEBR)ebr10472138(CaONFJC)MIL312297(OCoLC)893335325(EXLCZ)99267000000009458320070328d2006 uy 0engur|n|---|||||txtccrEnglish fiction in the 1930s language, genre, history /Chris Hopkins1st ed.London ;New York Continuumc20061 online resource (189 p.)Continuum literary studies seriesDescription based upon print version of record.0-8264-8938-9 Includes bibliographical references and index.pt. 1. Modernism and modernity -- pt. 2. Documentary and proletarian pastoral -- pt. 3. History and the historical novel -- pt. 4. Thrillers and dystopias.This study approaches the fiction of the 1930s through critical debates about genre, language and history, setting these in their original context, and discussing the generic forms most favoured by novelists at the time. Chris Hopkins uses a series of case studies of texts to draw on, develop or explore the boundaries, contemporary usefulness and complexities of particular prose genres. Generic debates and the political-aesthetic effects of different kinds of representation were live issues as discursive struggles and negotiations took place between modernist and realist modes, between high, Continuum literary studies.English fiction20th centuryHistory and criticismNineteen thirtiesEnglish fictionHistory and criticism.Nineteen thirties.823.91209Hopkins Chris1960-1676617MiAaPQMiAaPQMiAaPQBOOK9910825450603321English fiction in the 1930s4042926UNINA