02732oam 2200649I 450 991082520300332120240131151640.01-136-25291-61-283-64306-50-203-10522-21-136-25292-410.4324/9780203105221 (CKB)2670000000259360(EBL)1039280(OCoLC)813005314(SSID)ssj0000757510(PQKBManifestationID)12323564(PQKBTitleCode)TC0000757510(PQKBWorkID)10758940(PQKB)10348389(MiAaPQ)EBC1039280(Au-PeEL)EBL1039280(CaPaEBR)ebr10611628(CaONFJC)MIL395556(OCoLC)815653640(OCoLC)892431389(FINmELB)ELB134735(PPN)185142826(EXLCZ)99267000000025936020180706d2013 uy 0engur|n|---|||||txtccrAdapting Chekhov the text and its mutations /edited by J. Douglas Clayton and Yana MeerzonNew York :Routledge,2013.1 online resource (335 p.)Routledge advances in theatre and performance studies ;23Routledge advances in theatre and performance studies ;23Description based upon print version of record.1-138-93767-3 0-415-50969-6 Includes bibliographical references and index.pt. I. On categories, techniques, and methodologies of mutation -- pt. II. Chekhov in the post[ist] context -- pt. III. Performing Chekhov in radical mutations.This book considers the hundred years of re-writes of Anton Chekhov's work, presenting a wide geographical landscape of Chekhovian influences in drama. The volume examines the elusive quality of Chekhov's dramatic universe as an intricate mechanism, an engine in which his enigmatic characters exist as the dramatic and psychological ciphers we have been de-coding for a century, and continue to do so. Examining the practice and the theory of dramatic adaptation both as intermedial transformation (from page to stage) and as intramedial mutation, from page to page, the book prRoutledge advances in theatre and performance studies.891.72/3PER011000PER011020PER000000bisacshClayton J. Douglas1599203Meerzon Yana1132995FlBoTFGFlBoTFGBOOK9910825203003321Adapting Chekhov3921778UNINA