03785oam 2200649I 450 991082481160332120230213212934.01-315-80259-71-317-76900-71-317-76901-510.4324/9781315802596 (CKB)2550000001257148(EBL)1665691(SSID)ssj0001179940(PQKBManifestationID)12478287(PQKBTitleCode)TC0001179940(PQKBWorkID)11186756(PQKB)10494757(MiAaPQ)EBC1665691(OCoLC)897458345(EXLCZ)99255000000125714820180706d1984 uy 0engur|n|---|||||txtccrContinuity and change in art the development of modes of representation /Sidney J. Blatt, in collaboration with Ethel S. BlattNew York :Routledge,1984.1 online resource (432 p.)Description based upon print version of record.0-89859-342-5 1-306-57627-X Includes bibliographical references and index.Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; List of Illustrations; Preface; 1. The Form of Objects and of Space in the History of Art; Introduction; Patterns of Change; The Search for a ""Vocabulary of Form"" or a ""System of Schemata""; Psychological Criteria; A Structural Analysis of a Vocabulary of Form; 2. The Development of Modes of Representation; Introduction; The Developmental Model; Stages of Cognitive Development; Concepts of Space; Topological Concepts; Projective Concepts; Euclidean Concepts; Riemannian SpaceTable 1: Individual and Cultural Development of Concepts of the Object and of Space3. From Topological to Projective Space: Painting in the Ancient, Greco-Roman, and Medieval Periods; Ancient Art; Greco-Roman Art; The Art of the Middle Ages; Parallel Development in Pre-Renaissance Art and Science; 4. The Discovery and Development of Linear Perspective: The Renaissance, Mannerism, and the Baroque; The Renaissance; Mannerism; The Baroque; Parallel Development in Renaissance and Baroque Art and Science; 5. From Linear Perspective to Conceptual Art: Impressionism, Cubism, and Modern ArtImpressionism and Post-ImpressionismCubism; Modern Art; Parallel Development in Post-Renaissance Art and Science; References; Author Index; Subject IndexThe representation of the form of objects and of space in painting, from paleolithic through contemporary time, has become increasingly integrated, complex, and abstract. Based on a synthesis of concepts drawn from the theories of Piaget and Freud, this book demonstrates that modes of representation in art evolve in a natural developmental order and are expressions of the predominant mode of thought in their particular cultural epoch. They reflect important features of the social order and are expressed in other intellectual endeavors as well, especially in concepts of science. A fascinating eVisual perceptionArt and societyArtPsychologyPaintingPsychological aspectsVisual perception.Art and society.ArtPsychology.PaintingPsychological aspects.750/.1/9750.19Blatt Sidney J(Sidney Jules),1928-,1107747Blatt Ethel S1715545MiAaPQMiAaPQMiAaPQBOOK9910824811603321Continuity and change in art4110289UNINA