03216nam 2200589 450 991082477860332120230627215422.094-006-0430-010.1515/9789400604308(MiAaPQ)EBC7043210(Au-PeEL)EBL7043210(CKB)24242659500041(OCoLC)1336703105(MdBmJHUP)musev2_101729(DE-B1597)635249(DE-B1597)9789400604308(OCoLC)1338837937(EXLCZ)992424265950004120230627d2022 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierCamering Fernand Deligny on cinema and the image /introduced and edited by Marlon Miguel ; translated by Sarah Moses ; postface by Elena Vogman[Place of publication not identified] :Leiden University Press,[2022]©20221 online resource (251 pages)Media / Art / Politics Series ;Volume 3In meegestuurde metadata aangekondigd met ISBN 9789087283841.Vertaald uit het Frans.Print version: Miguel, Marlon Camering Amsterdam : Amsterdam University Press,c2022 Frontmatter -- Contents -- Epigraph [1996] -- Translator’s Note -- General Introduction -- Cinema. Cine-Club [1934] -- The Camera, a Pedagogical Tool [1955] -- He’s Still One of Us [1971] -- Camering [1977] -- Miscreating [1979] -- Camering [1982] -- The Alga and the Fungus [1982] -- Fossils Have a Hard Life: Apropos of the Image [1982] -- Camering [1978-1983] -- The Distinctiveness of the IMAGEs [1988] -- What Is Not Seen (by the Self) [1990] -- Postface. Minor Gestures, Minor Media -- NotesFernand Deligny (1913-1996), ‘poet and ethologist’, is mostly known for his work with autistic children and for his influence on the revolutions in French post-war psychiatry. Though neither director nor a theorist of the image, cinema is constantly called into his social, pedagogical, and clinical experimentations. More interested in the processes of making, he distinguishes ‘camering’ from filming, thus emphasizing not the finished film but a ‘film to come’. This volume provides Deligny’s essential corpus on cinema and the image. It shows both the role of cameras in many of his experimental ‘attempts’ with delinquents and autistic children and his highly speculative reflections on image.Media / Art / Politics ;Volume 3.Film criticismDocumentary filmsFranceDeligny, cinema, image, radical psychiatry, French theory, media.Film criticism.Documentary films371.9Miguel Marlon, authttp://id.loc.gov/vocabulary/relators/aut1276490Miguel MarlonMoses SarahVogman ElenaMiAaPQMiAaPQMiAaPQBOOK9910824778603321Camering4077188UNINA