03815nam 2200517 450 991082476510332120230808195131.090-04-32422-410.1163/9789004324220(CKB)3710000000846675(EBL)4715184(MiAaPQ)EBC4715184(OCoLC)960761041(OCoLC)960712126(OCoLC)960834761(OCoLC)965397084(nllekb)BRILL9789004324220(EXLCZ)99371000000084667520161020h20162016 uy 0engur|n|---|||||rdacontentrdamediardacarrierRadical planes? 9/11 and patterns of continuity[e-book] /edited by Dunja M. Mohr, Birgit DawesLeiden, The Netherlands ;Boston, [Massachusetts] :Brill Rodopi,2016.©20161 online resource (234 p.)Costerus New Series,0165-9618 ;Volume 218Description based upon print version of record.90-04-31841-0 Includes bibliographical references at the end of each chapters and index.Preliminary Material /Dunja M. Mohr and Birgit Däwes --Transnational Dimensions of 9/11: An Introduction /Dunja M. Mohr and Birgit Däwes --Public Culture after 9/11 and Peter Josyph’s Liberty Street /David Holloway --The Coincidence of Historical Fiction: “Code-Orange” Reading after 9/11 /Charles Lewis --Philosophical and Literary Dialogues in a Time of Terror /Katharina Rennhak --Terror as Catalyst? Negotiations of Silences, Perspectives, and Complicities in Ian McEwan’s Saturday, Ali Smith’s The Accidental, and Mohsin Hamid’s The Reluctant Fundamentalist /Dunja M. Mohr --Letters to Osama and Terrorist Mindsets: Coming to Terms with 9/11 in Chris Cleave’s Incendiary and John Updike’s Terrorist /Dagmar Dreyer --Homeland Security and Transmigration in Richard Powers’s The Echo Maker /Anna Thiemann --Male Domesticity and the 9/11-Novel: Jay McInerney’s The Good Life /Till Werkmeister --“This is My Country, Too, You Know!” Intercultural Encounters in Post-9/11 Arab American Drama /Sarah Christine Giese --“You Ever Think about the Term ‘Homeland Security’?” Todd Field’s Adaptation of Tom Perrotta’s Little Children /Anna Flügge --9/11 as Memento Mori: Still-Life and Image in Don Delillo’s Ekphrastic Fiction /Devin P. Zuber --Index /Dunja M. Mohr and Birgit Däwes.Radical Planes? 9/11 and Patterns of Continuity , edited by Dunja M. Mohr and Birgit Däwes, explores the intersections between narrative disruption and continuity in post-9/11 narratives from an interdisciplinary transnational perspective, foregrounding the transatlantic cultural memory of 9/11. Contesting the earlier notion of a cataclysm that has changed ‘everything,’ and critically reflecting on American exceptionalism, the collection offers an inquiry into what has gone unchanged in terms of pre-9/11, post-9/11, and post-post-9/11 issues and what silences persist. How do literature and performative and visual arts negotiate this precarious balance of a pervasive discourse of change and emerging patterns of political, ideological, and cultural continuity?Costerus ;Volume 218.Popular cultureStudy and teachingCultureStudy and teachingPopular cultureStudy and teaching.CultureStudy and teaching.306.071Mohr Dunja M.Däwes BirgitMiAaPQMiAaPQMiAaPQBOOK9910824765103321Radical planes? 94059299UNINA