01593nam 2200337Ia 450 99638705950331620200824132103.0(CKB)4940000000083470(EEBO)2240873104(OCoLC)ocm19637346e(OCoLC)19637346(EXLCZ)99494000000008347019890501d1696 uy |engurbn||||a|bb|Polemica Christiana, or, An earnest contending for the faith[electronic resource] which was once deliver'd unto the saints in I. a letter to the author of the Dialogue, &c., II. a vindication of the doctrine of Mr. Richard Hooker, against the mis-representation of an anti-trinitarion, in a pamphlet entitled, Considerations on the explications of the doctrine of the trinity, III. reflections upon some passages in a book entitled, The history of religion, IV. a vindication of Vincentius Lirinensis, from the unjust reproach cast on him, by an anonymous writer, in a book entitled, Animadversions on Mr. Hill's book /by Edmund Elys ..[London] printed [s.n.]1696[2], 28 pPlace of imprint suggested by Wing.Reproduction of original in the Bodleian Library.eebo-0014TrinityEarly works to 1800TrinityElys Edmundca. 1634-ca. 1707.799672EAGEAGWaOLNBOOK996387059503316Polemica Christiana, or, An earnest contending for the faith2405556UNISA01641nam 2200397 n 450 99639683420331620221107212059.0(CKB)4330000000354737(EEBO)2269045892(UnM)99844261(EXLCZ)99433000000035473719910820d1584 uy |engurbn||||a|bb|The vvelspring of wittie conceites[electronic resource] containing, a methode, asvvell to speake, as to endight (aptly and eloquently of sundrie matters: as (also) see great varietie of pithy sentences, vertuous sayings, and right morall instructions ... Out of Italian, by W. Phist. studentAt London Printed by Richard Iones: dwelling at the signe of the Rose and the Crowne, neere Holburne Bridge1584[6], 27, 29-94, [3] pW. Phist. = William Phiston.Running title reads: The vvelspring of wittie conceightes.Identified as STC 10925 on UMI microfilm reel 226.Reproductions of the original in the Henry E. Huntington Library and Art Gallery.Appears at reel 204 and at reel 226 (same copy filmed twice).eebo-0113Letter writingEarly works to 1800Conduct of lifeEarly works to 1900Letter writingConduct of lifePhiston William1000931Cu-RivESCu-RivESCStRLINWaOLNBOOK996396834203316The vvelspring of wittie conceites2333577UNISA04456nam 2200733 450 991082467190332120230912175258.01-4426-7137-810.3138/9781442671379(CKB)2430000000000981(EBL)3254744(SSID)ssj0000375447(PQKBManifestationID)11282489(PQKBTitleCode)TC0000375447(PQKBWorkID)10488599(PQKB)10738184(CaBNvSL)thg00600265 (DE-B1597)464218(OCoLC)944178408(OCoLC)999362156(DE-B1597)9781442671379(Au-PeEL)EBL4671234(CaPaEBR)ebr11256952(OCoLC)958562561(OCoLC)431552625(MdBmJHUP)musev2_104467(VaAlCD)20.500.12592/x6zk6m(schport)gibson_crkn/2009-12-01/6/418562(MiAaPQ)EBC4671234(MiAaPQ)EBC3254744(EXLCZ)99243000000000098120160922h20042004 uy 0engur|n|---|||||txtccrBeyond spectacle Eliza Haywood's female spectators /Juliette MerrittToronto, [Ontario] ;Buffalo, [New York] ;London, [England] :University of Toronto Press,2004.©20041 online resource (161 p.)Description based upon print version of record.0-8020-3540-X Includes bibliographical references and index.""Contents""; ""Introduction â€? Gazing in the Eighteenth Century: Eliza Haywood's Specular Negotiations""; ""Chapter One: An Excess of Spectacle: The Failure of Female Curiosity in Love in Excess; or, the Fatal Enquiry""; ""Chapter Two: Peepers, Picts, and Female Masquerade: Performances of the Female Gaze in Fantomina; or, Love in a Maze""; ""Chapter Three: From Image to Text: The Discourse of Abandonment and Textual Agency in The British Recluse; or, The Secret History of Cleomira, Supposed Dead""""Chapter Four: The Spectatorial Text: Spying, Writing, Authority in The Invisible Spy and Bath Intrigues""""Conclusion""; ""Notes""; ""Works Cited""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""Theories of sight and spectatorship captivated many writers and philosophers of the eighteenth century and, in turn, helped to define both sexual politics and gender identity. Eliza Haywood was thoroughly engaged in the social, philosophical, and political issues of her time, and she wrote prolifically about them, producing over seventy-five works of literature? plays, novels, and pamphlets? during her lifetime. Examining a number of works from this prodigious canon, Juliette Merritt focuses on Haywood's consideration of the myriad issues surrounding sight and seeing and argues that Haywood explored strategies to undermine the conventional male spectator/female spectacle structure of looking.Combining close readings of Haywood's work with twentieth-century debates among feminist and psychoanalytic theorists concerning the visual dynamics of identity and gender formation, Merritt explores insights into how the gaze operates socially, epistemologically, and ontologically in Haywood's writing, ultimately concluding that Haywood's own strategy as an author involved appropriating the spectator position as a means of exercising female power. Beyond Spectacle will cement Haywood's deservedly prominent place in the canon of eighteenth-century fiction and position her as a writer whose work speaks not only to female agency, but to eighteenth-century writers, gender relations, and power politics as well.Gaze in literatureWomen in literatureLITERARY CRITICISM / Women AuthorsbisacshCriticism, interpretation, etc.Electronic books. Gaze in literature.Women in literature.LITERARY CRITICISM / Women Authors.823/.5Merritt Juliette1628928MiAaPQMiAaPQMiAaPQBOOK9910824671903321Beyond spectacle3966338UNINA00963nam0 22002771i 450 UON0007857720231205102420.95703-560-4570-620020107d1973 |0itac50 baengGB|||| |||||DervishThe rise and fall of an African empirePhilip WarnerLondonMacdonald1973235 p.22 cmRegni AfricaniUONC018492FIGBLondonUONL003044960.3STORIA DELL'AFRICA - 1885-21WARNERPhilipUONV051636198239MacDonaldUONV248198650ITSOL20250704RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00078577SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI ST 309 SI AA 1888 5 309 Dervish1298706UNIOR