03572nam 22006493 450 991082443850332120210108065842.01-283-13325-397866131332500-7486-4608-610.1515/9780748646081(CKB)2550000000036991(EBL)714134(OCoLC)730151827(SSID)ssj0000525319(PQKBManifestationID)11327044(PQKBTitleCode)TC0000525319(PQKBWorkID)10488981(PQKB)10336885(MiAaPQ)EBC714134(DE-B1597)615853(DE-B1597)9780748646081(EXLCZ)99255000000003699120130418d2011|||| u|| |engurcn#---|||||rdacontentrdamediardacarrierResearch methods in theatre and performance /Baz Kershaw and Helen NicholsonEdinburgh :Edinburgh University Press,20111 recurso en línea (257 páginas)Research Methods for the Arts and Humanities0-7486-4157-2 Cover; Copyright; Contents; Acknowledgements; List of Figures; Introduction: Doing Methods Creatively; chapter 1 The Imperative of the Archive: Creative Archive Research; chapter 2 Researching Digital Performance: Virtual Practices; chapter 3 Practice as Research: Transdisciplinary Innovation in Action; chapter 4 Researching Theatre History and Historiography; chapter 5 Researching Scenography; chapter 6 Performer Training: Researching Practice in the Theatre Laboratory; chapter 7 The Question of Documentation: Creative Strategies in Performance Research; chapter 8 The Usefulness of Mess: Artistry, Improvisation and Decomposition in the Practice of Research in Applied Theatrechapter 9 Researching the Body in/as Performance; Notes on Contributors; Index.Key Features Created in association with TaPRA, the leading UK Theatre and Performance Research organisation, with chapters produced by specialist groupings.Provides many detailed project case studies and examples - including successful practice-based PhDs - plus analysis of dynamic couplings between methods, methodologies and skill-sets.Introduction interrogates crucial qualities of performing arts research that constitute theatre and performance as, variously, single-, multi-, inter-, and trans-disciplinary.Contributors include: Maggie B. Gale (Chair of Drama, University of Manchester); Steve Dixon (Professor of Digital Performance, Brunel University); Joanne 'Bob' Whalley and Lee Miller (University Lecturers and founders Fictional Dogshelf Theatre Company); Simon Ellis and Rosemary Lee (independent performance/dance makers); Roberta Mock (Professor of Performance, University of Plymouth).Artes escénicasLOCALTeatroLOCALMetodologíaLOCALInvestigaciónLOCALLibros electrónicosLOCALArtes escénicasTeatroMetodologíaInvestigaciónLibros electrónicos792.072Kershaw Baz, authttp://id.loc.gov/vocabulary/relators/aut224240Kershaw BazNicholson HelenAU-PeELAU-PeELAU-PeELBOOK9910824438503321Research methods in theatre and performance3939736UNINA