02233nam 2200505 450 991082411120332120230807193032.01-4438-8118-X(CKB)3710000000473497(EBL)4534672(MiAaPQ)EBC4534672(Au-PeEL)EBL4534672(CaPaEBR)ebr11215695(CaONFJC)MIL830886(OCoLC)951223703(EXLCZ)99371000000047349720160617h20152015 uy 0engurcnu||||||||rdacontentrdamediardacarrierAn edgy realism film theoretical encounters with Dogma 95, new french extremity, and the shaky-cam horror film /by Jerome P. SchaeferNewcastle upon Tyne, England :Cambridge Scholars Publishing,2015.©20151 online resource (171 p.)Description based upon print version of record.1-4438-8017-5 Includes bibliographical references and index.Similar to the way in which the new waves of the 1960's and 1970's had been characterized by new forms of cinematic realism, cinema since the turn of the millennium has pointed into the direction of a new, edgy realism. Art film movements such as Dogma 95 and the New French Extremity, as well as shaky-cam horror films like The Blair Witch Project and Paranormal Activity, provide evidence of the fact that the proliferation of the digital since the 1990's has profoundly changed not only contemporary media culture and the social role of film, as seen, for example, in the case of amateur film and theRealism in motion picturesMotion picturesFranceHistory and criticismHorror filmsHistory and criticismRealism in motion pictures.Motion picturesHistory and criticism.Horror filmsHistory and criticism.791.43612Schaefer Jerome P.1682388MiAaPQMiAaPQMiAaPQBOOK9910824111203321An edgy realism4052452UNINA