03619oam 2200685I 450 991082388640332120240516211522.01-280-87460-097866137159131-136-50028-61-136-50027-80-203-14332-910.4324/9780203143322(CKB)2550000000104764(EBL)981932(OCoLC)798209483(SSID)ssj0000741844(PQKBManifestationID)12265371(PQKBTitleCode)TC0000741844(PQKBWorkID)10743488(PQKB)11413363(MiAaPQ)EBC981932(OCoLC)798613037(EXLCZ)99255000000010476420180706d2012 uy 0engur|n|---|||||txtccrScience fiction /Mark Bould1st ed.New York, N.Y. :Routledge,2012.1 online resource (257 p.)Routledge Film GuidebooksDescription based upon print version of record.0-415-45810-2 Includes bibliographical references (pages [215]-228) and index.Cover; Title; Copyright; CONTENTS; Introduction; 1 The science in science fiction; The sound (and look) of science; The critical potential, pleasures and politics of 'bad' science; Unpicking science's self-image; The social subjectivity of (mad) scientists; The schizoid scientist, sexual terror and political complicity; Women in the lab: body parts; Women in the lab: scientists; Conclusion; 2 Sf, spectacle and self-reflexivity; Attractions; Spectacle, narrative and affect; Special effects and immersivity; The sublime; The grotesque; CampSelf-reflexivity: inanimating the animate, animating the inanimateSelf-reflexivity: surveillance, interpellation, reification, death; Conclusion; 3 Sf, colonialism and globalisation; Sf, cinema and the colonial imagination; Sf's colonial imaginary; Post-imperial melancholy in British sf; Race and anti-imperialism in US countercultural sf; Neo-liberalism and the sf of deindustrialisation; Sf figurations of neoliberal spaces; Representations of labour in contemporary sf; Conclusion; Notes; Bibliography; IndexScience Fiction explores the genre from 1895 to the present day, drawing on examples from over forty countries. It raises questions about the relationship between science fiction, science and technology, and examines the interrelationships between spectacle, narrative and self-reflexivity, paying particular attention to the role of special effects in creating meaning and affect. It explores science fiction's evocations of the sublime, the grotesque, and the camp, and charts the ways in which the genre reproduces and articulates discourses of colonialism, imperialism and neo-liberalRoutledge Film GuidebooksScience fiction films -- History and criticismScience fiction filmsHistory and criticismMusic, Dance, Drama & FilmHILCCFilmHILCCScience fiction films -- History and criticism.Science fiction filmsHistory and criticismMusic, Dance, Drama & FilmFilm791.43/615791.43615Bould Mark.858087AU-PeELAU-PeELAU-PeELBOOK9910823886403321Science fiction4035161UNINA