03561nam 2200673 450 991082359000332120230807221635.090-04-30111-910.1163/9789004301115(CKB)3710000000465612(EBL)4540492(SSID)ssj0001678078(PQKBManifestationID)16488576(PQKBTitleCode)TC0001678078(PQKBWorkID)13802422(PQKB)11337629(MiAaPQ)EBC4540492(OCoLC)911180134(nllekb)BRILL9789004301115(EXLCZ)99371000000046561220150615d2015 uy 0engur|n|---|||||txtccrPoetry and censorship in Counter-Reformation Italy /by Jennifer HelmLeiden ;Boston :Brill,[2015]1 online resource (452 p.)Studies in medieval and Reformation traditions,1573-4188 ;v. 189Description based upon print version of record.90-04-28439-7 Includes bibliographical references (p. [412]-434) and index.Preliminary Material -- 1 Control of Literature as a Strategy of Catholic Reformation: Motives and Modes of Influence -- 2 Approaching Censorial Reading -- 3 Mechanisms of the Roman Index -- 4 Censures of the Marvelous -- 5 Censures of Love -- 6 Censoring Laughter -- 7 Self-Censorship and Poetic Counter-Strategies: The Case of Domenico Venier -- Conclusion -- Editorial Notes -- Documents 1: Cases and Judgments -- Documents 2: Relating Documents -- Bibliography -- Index of Names.In Poetry and Censorship Jennifer Helm offers insight into motives and strategies of Counter-Reformation censorship of poetry in Italy. Materials of Roman censorial authorities reveal why the control of poetry and of its reception was crucial to Counter-Reformation cultural politics. Censorship of poetry should enable the church to influence human inner life that ---from thought and belief to fantasy and feeling--- was evolving considerably at that time. The control of poetic genres and modes of writing played an important part here. Yet, to what extent censorship could affect poetic creation emerges from a manuscript of the Venetian poet Domenico Venier. The materials suggest the impact of Counter-Reformation censorship on poetry began earlier and was more extensive than has yet been propagated.Studies in Medieval and Reformation Traditions189.Italian poetry16th centuryHistory and criticismCensorshipItalyHistory16th centuryCensorshipReligious aspectsChristianityHistory16th centuryCensorshipfastCensorshipReligious aspectsChristianityfastItalian poetryfastItalyfastCriticism, interpretation, etc.fastHistory.fastItalian poetryHistory and criticism.CensorshipHistoryCensorshipReligious aspectsChristianityHistoryCensorship.CensorshipReligious aspectsChristianity.Italian poetry.851/.409Helm Jennifer1675777NL-LeKBNL-LeKBBOOK9910823590003321Poetry and censorship in Counter-Reformation Italy4041492UNINA03936oam 22007694a 450 991083821870332120231110214021.00-252-04366-9(CKB)5590000000447725(OCoLC)1246620975(MdBmJHUP)muse95999(MiAaPQ)EBC6550141(Au-PeEL)EBL6550141(OCoLC)1252422057(EXLCZ)99559000000044772520201116d2021 uy 0engur|||||||nn|ntxtrdacontentcrdamediacrrdacarrierAfro-NostalgiaFeeling Good in Contemporary Black Culture /Badia Ahad-LegardyUrbana :University of Illinois Press,2021.©2021.1 online resourceThe new black studies series0-252-05255-2 Ten thousand recollections : Afro-nostalgia and contemporary Black aesthetics -- (Nostalgic) retribution : the power of the petty in contemporary narratives of slavery -- (Nostalgic) restoration : Utopian pasts and political futures in the music of Black Lives Matter -- (Nostalgic) regeneration : absent archives and historical pleasures in contemporary Black visual culture -- (Nostalgic) reclamation : recipes for radicalism and the politics of soul (food) -- A future for Black nostalgia."African descent could not experience nostalgia. As a result, black lives have been predominately narrated through historical scenes of slavery and oppression. This phenomenon created a missing archive of romantic historical memories. Badia Ahad-Legardy mines literature, visual culture, performance, and culinary arts to form an archive of black historical joy for use by the African-descended. Her analysis reveals how contemporary black artists find more than trauma and subjugation within the historical past. Drawing on contemporary African American culture and recent psychological studies, Ahad-Legardy reveals nostalgia's capacity to produce positive emotions. Afro-nostalgia emerges as an expression of black romantic recollection that creates and inspires good feelings even within our darkest moments"--Provided by publisher.New Black Studies American literatureAfrican American authorsHistory and criticismAesthetics, BlackNostalgia in literatureHappiness in literatureAfrican AmericansAttitudesAfrican AmericansHistoriographyCollective memoryEsthétique noireNostalgie dans la littératureBonheur dans la littératureAesthetics, Blackfast(OCoLC)fst00798752American literatureAfrican American authorsfast(OCoLC)fst00807114Happiness in literaturefast(OCoLC)fst00951183Nostalgia in literaturefast(OCoLC)fst01039540Criticism, interpretation, etc.fastAmerican literatureAfrican American authorsHistory and criticism.Aesthetics, Black.Nostalgia in literature.Happiness in literature.African AmericansAttitudes.African AmericansHistoriography.Collective memory.Esthétique noire.Nostalgie dans la littérature.Bonheur dans la littérature.Aesthetics, Black.American literatureAfrican American authors.Happiness in literature.Nostalgia in literature.810.9896073Ahad-Legardy Badia1974-1730031MdBmJHUPMdBmJHUPBOOK9910838218703321Afro-Nostalgia4140408UNINA