07265nam 2200709 450 991082347640332120170817193948.090-04-26201-610.1163/9789004262010(CKB)2670000000557771(MH)013993498-7(SSID)ssj0001107318(PQKBManifestationID)12427983(PQKBTitleCode)TC0001107318(PQKBWorkID)11082087(PQKB)10714226(MiAaPQ)EBC4751057(nllekb)BRILL9789004262010(PPN)184922623(EXLCZ)99267000000055777120131112h20142014 uy| 0engurcnu||||||||rdacontentrdamediardacarrierImago exegetica visual images as exegetical instruments, 1400-1700 /edited by Walter S. Melion, James Clifton, and Michel WeemansLeiden ;Boston :Brill,[2014]©20141 online resource (1008 pages )illustrations ;Intersections : interdisciplinary studies in early modern culture,1568-1181 ;volume 33"Emory University, Lovis Corinth Colloquium IV."90-04-26200-8 Includes bibliographical references and index.Preliminary Material -- Introduction: Visual Exegesis and Pieter Bruegel’s Christ and the Woman Taken in Adultery /Walter S. Melion -- Jan van Eyck’s Typology of Spiritual Knighthood in the Van der Paele Madonna /Jamie L. Smith -- Typology at its Limits: Visual Exegesis and Eschatology in the Sistine Chapel /Giovanni Careri -- Typology – Back with a Vengeance! Texts, Images, and Marginal Glosses in Vorsterman’s 1534 Dutch Bible /Wim François -- L’Épitaphe de Jan Michielsen et Maria Maes de Rubens. Rhétorique et exégèse visuelle /Colette Nativel -- A New Interpretation of Vermeer’s Allegory of Faith: Vividness and Figural Interpretation /Caroline van Eck -- Empathy as a Type of Early Netherlandish Visual Wit /Bret L. Rothstein -- Meditative Exegesis and the Trope of Conversion in Dirk Vellert’s Calling of Peter and Andrew of 1523 /Walter S. Melion -- The Preaching of John the Baptist: Herri met de Bles’s Visual Exegesis and Expanded Typology /Michel Weemans -- Early Modern Hands: Gesture in the Work of Jan van Hemessen /Todd M. Richardson -- Becoming Elijah: The Sleep of Elijah by Philippe de Champaigne from the Convent of the Val-de-Grâce /Tatiana Senkevitch -- ‘See the Bridegroom Cometh; Go Out and Meet Him’: On Spiritual Progress and Mystical Union in Early Netherlandish Painting /Ingrid Falque -- Rogier van der Weyden and Jan van Ruusbroec: Reading, Rending, and Re-Fashioning the ‘Twice-Dyed’ Veil of Blood in the Escorial Crucifixion /Elliott D. Wise -- Helenus and Dorotheus: Marten de Vos and the Desert Fathers /Leopoldine van Hogendorp Prosperetti -- Lectio Divina and Francis de Sales’s Picturing of the Interconnection of Divine and Human Hearts /Joseph F. Chorpenning -- Illumination of Images and Illumination through the Image – Functions and Concepts of Gospel Illustrations in the Bible of the Nuremberg Patrician Martin Pfinzing /Maria Deiters -- Clades Judaeae Gentis: Patterns of Destruction /Merel Groentjes -- Modes of Scriptural Illustration: The Beatitudes in the Late Sixteenth Century /James Clifton -- Framing Devices and Exegetical Strategies in Northern Illustrated Spiritual Literature /Ralph Dekoninck and Agnès Guiderdoni -- ‘The Glory of the Last House’ (Haggai 2:9): Rembrandt and the Prophets Malachi and Haggai /Shelley Perlove -- Saints Amidst the Inferno: Humanism in Wittenberg’s Pre-Reformation Art: A New Exegesis of Dürer’s Martyrdom of the Ten Thousand /Birgit Ulrike Münch -- Visual Exegesis and Social History: Hieronymus Beck von Leopoldsdorf (1525–1596) and His Strategies of Self-Aggrandizement /Wolfgang Neuber -- Gideon, an Old Testament Hero in Action: Burgundian Symbolism and the Visual Language of Protestant Flanders /Dagmar Eichberger -- Maerten van Heemskerck’s Heliodorus Driven from the Temple: Translatio and the Interrogative Print /Arthur J. DiFuria -- Of Churches, Heretics, and Other Guides of the Blind: The Fall of the Blind Leading the Blind by Pieter Bruegel the Elder and the Esthetics of Subversion /Jürgen Müller -- Bruegel’s Biblical Kings /Larry Silver -- From Putti to Angels: The Celestial Creatures in Otto Vaenius’ Paintings and Emblems /Nathalie de BrézéSurname.This volume consists of essays that pose fundamental questions about the relation between verbal and visual hermeneutics, especially as relates to biblical culture. Exegesis, as theologians and historians of art, religion, and literature, have come increasingly to acknowledge, was neither solely textual nor aniconic; on the contrary, following from Scripture itself, which is replete with verbal images and rhetorical figures, exegesis has traditionally utilized visual devices of all kinds. In turn, visual exegesis, since it concerns the most authoritative of texts, supplied a template for the interpretation of other kinds of significant text by means of images. Seen in this light, exegetical images prove crucial to understanding how meaning was constituted visually, not only in the sacred sphere but also in the secular. Contributors include Giovanni Careri, Joseph Chorpenning, James Clifton, Nathalie de Brézé, Maria Deiters, Ralph Dekoninck, Arthur diFuria, Caroline van Eck, Dagmar Eichberger, Ingrid Falque, Wim François, Merel Groentjes, Agnès Guiderdoni, Barbara Haeger, Alexander Linke, Walter Melion, Jürgen Müller, Birgit Ulrike Münch, Colette Nativel, Wolfgang Neuber, Shelley Perlove, Leopoldine Prosperetti, Todd Richardson, Bret Rothstein, Tatiana Senkevitch, Larry Silver, Jamie Smith, Trudelien van 't Hof, Michel Weemans, and Elliott WiseIntersections33.Christian art and symbolismEuropeMedieval, 500-1500Christian art and symbolismEuropeModern period, 1500-Visual communicationEuropeHistoryTheologyEuropeHistoryHermeneuticsHistoryEuropeReligious life and customsEuropeIntellectual lifeChristian art and symbolismChristian art and symbolismVisual communicationHistory.TheologyHistory.HermeneuticsHistory.302.2/22Melion Walter S.Clifton James1958-Weemans MichelLovis Corinth ColloquiumMiAaPQMiAaPQMiAaPQBOOK9910823476403321Imago exegetica3941351UNINAThis Record contains information from the Harvard Library Bibliographic Dataset, which is provided by the Harvard Library under its Bibliographic Dataset Use Terms and includes data made available by, among others the Library of Congress04562oam 2200553I 450 991015456520332120090828090029.01-138-26584-51-315-23463-710.4324/9781315234632 (CKB)3710000000965992(MiAaPQ)EBC4758807(OCoLC)965708146(BIP)58362127(BIP)18251629(EXLCZ)99371000000096599220180706e20162009 uy 0engurcnu||||||||rdacontentrdamediardacarrierKierkegaard and the Roman world /edited by Jon StewartAbingdon, Oxon :Routledge,2016.1 online resource (242 pages)Kierkegaard research: sources, reception and resources ;volume 3First published 2009 by Ashgate Publishing.0-7546-6554-2 1-351-87464-0 Includes bibliographical references and index.Apuleius : direct and possible indirect influences on the Thought of Kierkegaard / Stacey E. Ake -- Cicero: a handy Roman companion : Marcus Tullius Cicero's appearance in Kierkegaard's works / Thomas Eske Rasmussen -- Horace : the art of poetry and the search for the good life / Thomas Miles -- Livy : The history of Rome in Kierkegaard's works / Nataliya Vorobyova -- Marcus Aurelius : Kierkegaard's use and abuse of the stoic emperor / Rick Anthony Furtak -- Nepos : traces of Kierkegaard's use of an edifying Roman biographer / Jon Stewart -- Ovid: of love and exile : Kierkegaard's appropriation of Oivd / Steven P. Sondrup -- Sallust : Kierkegaard's scarce use of a great Roman historian / Niels W. Bruun -- Seneca : Disjecta Membra in Kierkegaard's writings / Niels W. Bruun -- Suetonius : exemplars of truth and madness : Kierkegaard's proverbial uses of Suetonius' Lives / Sebastian Høeg Gulmann -- Tacitus : Christianity as odium generis humani / Jon Stewart -- Terence : traces of Roman comedy in Kierkegaard's writings / Mikkel Larsen -- Valerius Maximus : moral exempla in Kierkegaard's writings / Nataliya Vorobyova -- Virgil: from farms to empire : Kierkegaard's understanding of a Roman poet / Steven P. Sondrup.While Kierkegaard's use of the Greek authors, particularly Plato and Aristotle, has attracted considerable attention over the years, his use of the Roman authors has, by contrast, remained sadly neglected. This neglect is somewhat surprising given the fact that Kierkegaard was extremely well read in Latin from his early youth when he attended the Borgerdyd School in Copenhagen. Kierkegaard's interest in the Roman authors is perhaps best evidenced by his book collection. In his private library he had a long list of Latin titles and Danish translations of the standard Roman authors in any number of different genres. His extensive and frequent use of writers such as Cicero, Horace, Terence, Seneca, Suetonius and Ovid clearly warrants placing them in the select group of his major sources. The chapters in this volume demonstrate that Kierkegaard made use of the Roman sources in a number of different ways. His readings from the Borgerdyd school seem to have stuck with him as an adult. He constantly refers to Roman authors, such as Livy, Nepos, and Suetonius for colourful stories and anecdotes. In addition, he avails himself of pregnant sayings or formulations from the Roman authors, when appropriate. But his use of these authors is not merely as a rhetorical source. He is also profoundly interested in the Roman philosophy of Cicero, Seneca and Marcus Aurelius. Similarly, just as he is fascinated by Tacitus' portrayal of the early Christians, so also he is amused by the humour of Terence and Apuleius. In short, the Roman authors serve to enrich any number of different aspects of Kierkegaard's authorship with respect to both content and form.Kierkegaard research ;v. 3.Philosophy, AncientPhilosophers, AncientLatin literatureHistory and criticismAuthors, LatinPhilosophy, Ancient.Philosophers, Ancient.Latin literatureHistory and criticism.Authors, Latin.198.9Stewart Jon(Jon Bartley)249359FlBoTFGFlBoTFGBOOK9910154565203321Kierkegaard and the Roman world2071191UNINA