02941nam 22006614a 450 991082343280332120200520144314.01-4696-2191-61-4696-0621-60-8078-8678-50-8078-8750-1(CKB)1000000000764482(EBL)454816(OCoLC)609844524(SSID)ssj0000192750(PQKBManifestationID)11183020(PQKBTitleCode)TC0000192750(PQKBWorkID)10216695(PQKB)11585897(StDuBDS)EDZ0000245917(OCoLC)408172941(MdBmJHUP)muse23423(Au-PeEL)EBL454816(CaPaEBR)ebr10310776(MiAaPQ)EBC454816(EXLCZ)99100000000076448220080321d2008 uy 0engur|n|---|||||txtccrLinthead stomp[electronic resource] the creation of country music in the Piedmont South /Patrick HuberChapel Hill University of North Carolina Pressc20081 online resource (441 p.)Description based upon print version of record.0-8078-8677-7 0-8078-3225-1 Includes bibliographical references (p. [365]-392), discography (p. [393]-397), and index.King of the mountaineer musicians : Fiddlin' John Carson -- Rough and rowdy ways : Charlie Poole and the North Carolina Ramblers -- Cain't make a living at a cotton mill : Dave McCarn -- A blessing to people : the Dixon Brothers, Howard and Dorsey.Contrary to popular belief, the roots of American country music do not lie solely on southern farms or in mountain hollows. Rather, much of this music recorded before World War II emerged from the bustling cities and towns of the Piedmont South. No group contributed more to the commercialization of early country music than southern factory workers. In Linthead Stomp, Patrick Huber explores the origins and development of this music in the Piedmont's mill villages. Huber offers vivid portraits of a colorful cast of Piedmont millhand musicians, including Fiddlin' John Carson, CharCountry musicPiedmont (U.S. : Region)History and criticismCountry musicSouthern StatesHistory and criticismCountry musiciansPiedmont (U.S. : Region)Textile workersPiedmont (U.S. : Region)Country musicHistory and criticism.Country musicHistory and criticism.Country musiciansTextile workers782.5Huber Patrick1650695MiAaPQMiAaPQMiAaPQBOOK9910823432803321Linthead stomp4000189UNINA