03307nam 2200529 450 991082320920332120170919154546.01-84545-343-31-78238-880-X10.1515/9781782388807(CKB)3710000000641315(EBL)4501274(MiAaPQ)EBC4501274(DE-B1597)636797(DE-B1597)9781782388807(OCoLC)1350570714(EXLCZ)99371000000064131520160426h20072007 uy 0engur|n|---|||||rdacontentrdamediardacarrierPicturing pity pitfalls and pleasures in cross-cultural communication : image and word in a north Cameroon mission /Marianne GullestadNew York, [New York] ;Oxford, [England] :Berghahn Books,2007.©20071 online resource (320 p.)Description based upon print version of record.Includes bibliographical references and index.PICTURING PITY; CONTENTS; INTRODUCTION; 1. PROPAGANDA FOR CHRIST; 2. ESTABLISHING A GOODNESS REGIME; 3. IMAGINING A CALL FROM AFRICA; 4. REFLECTIONS ON TAKING PHOTOGRAPHS; 5. GOD'S SOWERS AND REAPERS; 6. WOMEN AND CHILDREN:BOTH MARGINAL AND CENTRAL; 7. MUSLIM MEN: DANGEROUS RIVALS AND EXOTIC VILLAINS; 8. VICTIMS AND VILLAINS IN A FEATURE FILM FROM 1960; 9. FROM RELIGIOUS PROPAGANDA TO CULTURAL HERITAGE; 10. GOODNESS AND ITS SIDE-EFFECTS; BIBLIOGRAPHY; INDEXPicturing Pity is the first full length monograph on missionary photography. Empirically, it is based on an in-depth analysis of the published photographs taken by Norwegian evangelical missionaries in Northern Cameroon from the early nineteen twenties, at the beginning of their activities in this region, and until today. Being part of a large international movement, Norway sent out more missionaries per capita than any other country in Europe. Marianne Gullestad's main contention is that the need to continuously justify their activities to donors in Europe has led to the creation and maintenance of specific ways of portraying Africans. The missionary visual rhetoric is both based on earlier visualizations and has over time established its own conventions which can now also be traced within secular fields of activity such as international development agencies, foreign policy, human relief organizations and the mass media. Picturing Pity takes part in the present "pictorial turn" in academic teaching and research, constituting visual images as an exciting site of conversation across disciplinary lines.MissionsNorwayPictorial worksMissionsCameroonPictorial worksIntercultural communicationReligious aspectsChristianityPictorial worksColonial History, Anthropology (General).MissionsMissionsIntercultural communicationReligious aspectsChristianity306.6/6602348106711Gullestad Marianne1658343MiAaPQMiAaPQMiAaPQBOOK9910823209203321Picturing pity4012295UNINA