03721nam 22006251 450 991082309040332120200514202323.01-4411-0609-X1-62892-865-41-283-30774-X97866133077431-4411-5046-310.5040/9781628928655(CKB)2550000000057596(EBL)793280(OCoLC)758336056(SSID)ssj0000535760(PQKBManifestationID)12202324(PQKBTitleCode)TC0000535760(PQKBWorkID)10523781(PQKB)10691508(MiAaPQ)EBC793280(MiAaPQ)EBC1727479(UtOrBLW)bpp09258099(Au-PeEL)EBL1727479(OCoLC)893336651(EXLCZ)99255000000005759620150227d2011 uy 0engur|n|---|||||txtccrDemystifying Disney a history of Disney feature animation /Chris Pallant1st ed.New York :Continuum,2011.1 online resource (185 p.)Section 1: Re-examining Disney -- Disney authorship -- A history of innovation -- Section 2: Early and middle Disney feature animation -- Disney formalism -- Destino -- Disney in transition -- Section 3: Contemporary Disney feature animation -- The Disney renaissance -- Neo-Disney -- Digital Disney -- Conclusion: 'Happily ever after'.1-62356-744-0 1-4411-7421-4 Includes bibliographical references, filmography and index.Acknowledgements -- Introduction -- Section One-Re-examining Disney -- Chapter One: Disney Authorship -- Chapter Two: A History of Innovation? -- Section Two-Early and Middle Disney Feature Animation -- Chapter Three: Disney-Formalism -- Chapter Four: Destino -- Chapter Five: Disney in Transition -- Section Three-Contemporary Disney Feature Animation -- Chapter Six: The Disney Renaissance -- Chapter Seven: Neo-Disney -- Chapter Eight: Digital Disney -- Conclusion-Happily Ever After? -- Works Cited -- Filmography -- IndexDemystifying Disney: A History of Disney Feature Animation provides a comprehensive and thoroughly up-to-date examination of the Disney studio's evolution through its animated films. In addition to challenging certain misconceptions concerning the studio's development, the study also brings scholarly definition to hitherto neglected aspects of contemporary Disney. Through a combination of economic, cultural, historical, textual, and technological approaches, this book provides a discriminating analysis of Disney authorship, and the authorial claims of others working within the studio; conceptual and theoretical engagement with the constructions of 'Classic' Disney, the Disney Renaissance, and Neo-Disney; Disney's relationship with other studios; how certain Disney animations problematise a homogeneous reading of the studio's output; and how the studio's animation has changed as a consequence of new digital technologies. For all those interested in gaining a better understanding of one of cinema's most popular and innovative studios, this will be an invaluable addition to the existing literatureAnimated filmsUnited StatesHistory and criticismAnimated filmsAnimated filmsHistory and criticism.741.5/8Pallant Chris1644855UtOrBLWUtOrBLWUkLoBPBOOK9910823090403321Demystifying Disney3990954UNINA