02795nam 2200685Ia 450 991082263810332120200520144314.01-383-04462-71-282-05324-897866120532450-19-156955-010.1093/oso/9780199533855.001.0001(CKB)1000000000748391(EBL)430691(OCoLC)320914880(SSID)ssj0000176462(PQKBManifestationID)11922896(PQKBTitleCode)TC0000176462(PQKBWorkID)10223494(PQKB)11330482(Au-PeEL)EBL430691(CaPaEBR)ebr10288462(CaONFJC)MIL205324(MiAaPQ)EBC430691(OCoLC)1406785789(StDuBDS)9781383044621(EXLCZ)99100000000074839120090204d2009 uy 0engur|n|---|||||txtccrImage and audience rethinking prehistoric art /Richard Bradley1st ed.Oxford ;New York Oxford University Pressc20091 online resource (277 p.)Oxford scholarship onlineFormerly CIP.UkPreviously issued in print: 2009.0-19-953385-7 Includes bibliographical references (p. [235]-255) and index.Contents; Figures; Tables; PART I . THE PROBLEM WITH PREHISTORIC ART; 1. The Division of the Spoils; 2. Pattern and Purpose; PART II. IMAGE AND AUDIENCE IN MEGALITHIC ART; 3. Notes from Underground; 4. The Lives of Statues; 5. In Open Country; PART III. IMAGE AND AUDIENCE IN BRONZE AGE SCANDINAVIA; 6. Ships on Bronzes: Ships on Stones; 7. Crossing the Water; 8. The Origin of Fire; PART IV. PREHISTORIC ART AND ARCHAEOLOGY; 9. Losses in Translation; References; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; WIn this illustrated study, Richard Bradley asks why ancient objects were created and when and how they were used. He considers how the first definitions of prehistoric artworks were made, and the ways in which they might be related to practices in the visual arts today.Oxford scholarship online.Rethinking prehistoric artArt, PrehistoricEuropeMegalithic monumentsEuropeEuropeAntiquitiesArt, PrehistoricMegalithic monuments709.0112Bradley Richard1946-477531MiAaPQMiAaPQMiAaPQBOOK9910822638103321Image and audience4091219UNINA