02861nam 2200625 a 450 991082262400332120230803020328.01-315-59308-41-317-10308-41-4724-1226-51-299-18424-3(CKB)2550000001005744(EBL)1128557(OCoLC)828494647(SSID)ssj0000833593(PQKBManifestationID)12340407(PQKBTitleCode)TC0000833593(PQKBWorkID)10936257(PQKB)11035933(Au-PeEL)EBL1128557(CaPaEBR)ebr10658527(CaONFJC)MIL922690(MiAaPQ)EBC1128557(EXLCZ)99255000000100574420120912d2013 uy 0engur|n|---|||||txtccrLudics in surrealist theatre and beyond[electronic resource] /Vassiliki RaptiFarnham, England ;Burlington, Vt. Ashgatec20131 online resource (210 p.)Ashgate studies in surrealismDescription based upon print version of record.1-4094-2906-7 Includes bibliographical references and index.Introduction: Does surrealist theatre exist? -- The surrealist game "one into another" in Nadja and Les Détraquées: reconstructing André Breton's Ludic dramatic theory -- Staging "mad love" in the théâtre Alfred Garry: Breton's Ludic dramatic theory in practice -- Staging child's play in Roger Vitrac's victor or children in power: between Paidia and Ludus -- Playing with language: Antonin Artaud's Paidia and Robert Wilson's Ludus -- Mimicry and post-surrealist Ludics in Megan Terry's "Theatre of transformations".This study reconsiders Surrealist theatre specifically from the perspective of ludics-a poetics of play and games-an ideal approach to the Surrealists, whose games blur the boundaries between the 'playful' and the 'serious.' Beginning with the Surrealists' 'one-into-another' game and its illustration of Breton's ludic dramatic theory, Rapti examines the traces of this kind of game in the works of a wide variety of Surrealist and Post-Surrealist playwrights and stage directors.Ashgate Studies in SurrealismTheaterHistory20th centuryExperimental theaterSurrealism (Literature)TheaterHistoryExperimental theater.Surrealism (Literature)809.2/91163Rapti Vassiliki1661463MiAaPQMiAaPQMiAaPQBOOK9910822624003321Ludics in surrealist theatre and beyond4017389UNINA