02444nam 2200493 450 991082256980332120170920005036.01-61147-945-2(CKB)3710000000829469(PQKBManifestationID)16521352(PQKBWorkID)15048835(PQKB)24576984(MiAaPQ)EBC4648145(EXLCZ)99371000000082946920160905h20162016 uy 0engurcnu||||||||txtccrCinematography in the Weimar Republic Lola-Lola, Dirty singles, and the men who shot them /Paul Matthew St. PierreMadison, Wisconsin ;Teaneck, New Jersey :Fairleigh Dickinson University Press,2016.©20161 online resource (287 pages)Fairleigh Dickinson University Press Series In Communication StudiesBibliographic Level Mode of Issuance: Monograph1-61147-946-0 1-61147-944-4 Includes bibliographical references and index.The Weimar revolution and German collaborative filmmaking -- The optical convergence of Theodor Sparkuhl and Ernst Lubitsch -- Karl Freund's signature visual designs in manifold collaborations -- Carl Hoffmann and the new visual discourse of German silent film -- Fritz Arno Wagner, With F. W. Murnau, Fritz Lang, and Arthur Robison -- Fritz Arno Wagner, G. W. Pabst, and the Weimar zeitgeist -- Günther Rittau, Günther Krampf, optical language, and autonomous collaborative agency -- Guido Seeber's promotion from special effects technician to cinematographic artist -- Rudolph Maté, Carl Theodor Dreyer, and the framing principle of cinematography -- Cinematographers as directors as cinematographers and the rebirth of civilization -- Filmograph.Fairleigh Dickinson University Press series in communication studies.Motion picturesGermanyHistory20th centuryCinematographyGermanyHistory20th centuryMotion picturesHistoryCinematographyHistory791.430943/09042St. Pierre Paul Matthew1625987MiAaPQMiAaPQMiAaPQBOOK9910822569803321Cinematography in the Weimar Republic4022586UNINA