03742nam 22007812u 450 991082241790332120230617002550.00-19-029284-90-19-772912-61-280-84550-397866108455070-19-802800-810.1093/oso/9780195119046.001.0001(CKB)1000000000550554(StDuBDS)AH24085215(SSID)ssj0000365866(PQKBManifestationID)12151256(PQKBTitleCode)TC0000365866(PQKBWorkID)10414205(PQKB)10859040(SSID)ssj0000309541(PQKBManifestationID)11214121(PQKBTitleCode)TC0000309541(PQKBWorkID)10283578(PQKB)11744777(Au-PeEL)EBL431124(CaPaEBR)ebr10317698(CaONFJC)MIL84550(OCoLC)609831947(Au-PeEL)EBL2012776(OCoLC)814481424(OCoLC)1406788286(StDuBDS)9780197729120(MiAaPQ)EBC431124(EXLCZ)99100000000055055420000111e20231999 |y |engur|||||||||||txtccrSinging Schumann an interpretive guide for performers /Richard MillerNew York ;Oxford University Press,2023.1 online resource (272 p. ) illOxford scholarship onlinePreviously issued in print: 1999.0-19-511904-5 0-19-518197-2 Includes bibliographical references and index.Why This Book Was Written; 1. Robert Schumann as Song Composer; 2. Performance Practices in the Schumann Lieder; 3. Liederkreis (Heine), Opus 24; 4. Myrten, Opus 25; 5. Kerner Lieder, Opus 35; 6. Reinick Lieder, Opus 36; 7. Ruckert Lieder (Zwolf Gedichte aus "Liebesfruhling"), Opus 37; 8. Liederkries (Eichendorff), Opus 39; 9. Funf Lieder (Andersen and Chamisso), Opus 40; 10. Frauenliebe and -leben, (Chamisso), Opus 42; 11. Dichterliebe (Heine), Opus 48; 12. Opus 45 and Opus 57; 13. Opus 53; 14. Some Other Early Lieder: Opuses 27, 30, 31, 49; 15. Opus 127 and Opus 142; 16. Opus 51; 17. Opus 64; 18. Opus 77; 19. Liederalbum fur die Jugend, Opus 79; 20. Opus 83 and Opus 87; 21. Sechs Gesange, Opus 89 (von der Neun), and Opus 90 (Lenau); 22. Drei Gesange (Byron), Opus 95, and Opus 96; 23. Lieder and Gesange aus Wilhelm Meister (Goethe), Opus 98a; 24. Sieben Lieder (Kulmann), Opus 104, Opus 107, and Vier Husarenlieder (Lenau), Opus 117; 25. Opus 119, Opus 125, and Maria Stuart Lieder, Opus 135; 26. Solos and Duets from the Ensemble Collections: Opuses 29, 34, 37, 43, 74, 78, 79, 101, 103, 112, 138; 27. Provenzalisches Lied, #4, Ballade, #7, Opus 139, and Der Contrabandiste, Opus 74, AppThe author reconsiders Schumann's early songs and takes a look at the middle and late "Lieder", giving new life as performance vehicles. The author presents a practical manual to help singers and pianists bring Schumann's "Lieder" to life.Oxford scholarship online.Songs, GermanAnalysis, appreciationSongs, GermanHistory and criticismSongs, GermanAnalysis, appreciation.Songs, GermanHistory and criticism.782.42168092782.42168092Miller Richard1926-2009,0DLCDLCUkStDuBDSZStDuBDSZBOOK9910822417903321Singing Schumann3980604UNINA