02657nam 2200565Ia 450 991082235590332120230721005411.00-8166-6622-9(CKB)1000000000723038(EBL)433207(OCoLC)318218237(SSID)ssj0000139616(PQKBManifestationID)11134770(PQKBTitleCode)TC0000139616(PQKBWorkID)10011644(PQKB)10778266(MiAaPQ)EBC433207(MdBmJHUP)muse33409(Au-PeEL)EBL433207(CaPaEBR)ebr10277742(CaONFJC)MIL523434(EXLCZ)99100000000072303820080908d2009 uy 0engur|n|---|||||txtccrThe disciplinary frame[electronic resource] photographic truths and the capture of meaning /John TaggMinneapolis University of Minnesota Pressc20091 online resource (432 p.)Description based upon print version of record.0-8166-4288-5 0-8166-4287-7 Includes bibliographical references (p. 357-377) and index.The one-eyed man and the one-armed man: camera, culture and the state -- The plane of decent seeing : documentary and the rhetoric of recruitment -- Melancholy realism: Walker Evans's resistance to meaning -- Running and dodging, 1943: the breakup of the documentary moment -- The pencil of history : photography, history, archive -- A discourse with shape of reason missing: art history and the frame.Photography can seem to capture reality and the eye like no other medium, commanding belief and wielding the power of proof. In some cases, a photograph itself is attributed the force of the real. How can a piece of chemically discolored paper have such potency? How does the meaning of a photograph become fixed? In The Disciplinary Frame, John Tagg claims that, to answer these questions, we must look at the ways in which all that frames photography-the discourse that surrounds it and the institutions that circulate it-determines what counts as truth. The meaning and power of photographs,PhotographyHistoryPhotographyPhilosophyPhotographyHistory.PhotographyPhilosophy.779Tagg John710919MiAaPQMiAaPQMiAaPQBOOK9910822355903321The disciplinary frame4068344UNINA