02586nam 22005893u 450 991082226850332120240410062734.097814175080940-520-93653-11-59734-531-810.1525/9780520936539(CKB)111090529079554(EBL)223042(OCoLC)640031407(SSID)ssj0000121409(PQKBManifestationID)11143216(PQKBTitleCode)TC0000121409(PQKBWorkID)10115263(PQKB)11425177(MiAaPQ)EBC223042(DE-B1597)649152(DE-B1597)9780520936539(EXLCZ)9911109052907955420130418d2003|||| u|| |engur|||||||||||txtccrChina's new voices[electronic resource] popular music, ethnicity, gender, and politics, 1978-19971st ed.Berkeley University of California Press20031 online resource (349 p.)Description based upon print version of record.0-520-23449-9 List of Illustrations; Preface; Acknowledgments; Introduction; 1. China Diversified: An Overview of Popular Music in the Reform Era, 1978 -1997; 2. The Negotiation of Minority/ Majority Identities and Representation in Popular Music Culture; 3. Negotiating Gender in Post-Revolutionary Popular Music Culture: Reconstructing Manhood, Womanhood, and Sexuality; 4. Popular Music and State Politics: Hegemony, Resistance, Symbiosis, and Unity; Notes; References; IndexThis is the most comprehensive study to date of the rich popular music scene in contemporary China. Focusing on the city of Beijing and drawing upon extensive fieldwork, China's New Voices shows that during the 1980's and 1990's, rock and pop music, combined with new technologies and the new market economy, have enabled marginalized groups to achieve a new public voice that is often independent of the state.China - Civilization - 1976-Popular musicPopular music-- Social aspects-- ChinaChina - Civilization - 1976-.Popular music.Popular music-- Social aspects-- China.306.4/84Baranovitch Nimrod688826AU-PeELAU-PeELAU-PeELBOOK9910822268503321China's new voices1234799UNINA