02471nam 2200505 450 991082225260332120230807193027.01-78320-339-01-78320-338-2(CKB)3710000000470549(EBL)2197321(MiAaPQ)EBC2197321(Au-PeEL)EBL2197321(CaONFJC)MIL884541(OCoLC)920111181(EXLCZ)99371000000047054920200123d2015 uy 0engur|n|---|||||txtrdacontentcrdamediacrrdacarrierThe artist as curator /edited by Celina JefferyBristol, UK ;Chicago, USA :Intellect,2015.1 online resource (214 p.)Description based upon print version of record.1-78320-337-4 Cover; Half-title; Title; Copyright; Contents; Acknowledgements; Foreword; Introduction; Chapter 1: Paolozzi's Lost Magic Kingdoms: The Metamorphosis of Ordinary Things; Opening: The Limits of Objectivity; Commission: Metaphors and Objections; Technologies and Time: Exhibition/Catalogue; Obsessions: Heads and Images; Irony, Authenticity and the Stereotype; Memento Mori: Surrealism and Death; An Anthropological Imagination; A Social Critique of Waste; Images of Conflict and Combat; A Cosmic Philosophy: Blueprints for a New Museum; Acknowledgement; References; NoteChapter 8: Curating the City: Collectioneering and the Affects of DisplayTempting Provenance; Material Constellations; Rhetorics of Display; A Post-Medium Wunderkammer; Typologies of Heterogeneity; References; Notes; Chapter 9: Artists Curating the Expedition; References; Notes; Contributors; Index; BackCoverIn recent years, the museum and gallery have increasingly become self-reflexive spaces, in which the relationship between art, its display, its creators, and its audience is subverted and democratized.ArtExhibition techniquesArtists as art museum curatorsCuratorshipArtExhibition techniques.Artists as art museum curators.Curatorship.707.5Jeffery CelinaMiAaPQMiAaPQMiAaPQBOOK9910822252603321The artist as curator4008998UNINA