02660nam 2200613Ia 450 991082212210332120200520144314.01-283-14197-31-4438-2627-89786613141972(CKB)3360000000431411(EBL)1114180(OCoLC)816845342(SSID)ssj0000543340(PQKBManifestationID)12232459(PQKBTitleCode)TC0000543340(PQKBWorkID)10531129(PQKB)10985104(Au-PeEL)EBL1114180(CaPaEBR)ebr10652778(CaONFJC)MIL314197(MiAaPQ)EBC1114180(OCoLC)678476372(FINmELB)ELB155033(EXLCZ)99336000000043141120110209d2010 uy 0engur|n|---|||||txtccrContemporary Southeast Asian performance transnational perspectives /edited by Laura Noszlopy and Matthew Isaac Cohen1st ed.Newcastle upon Tyne Cambridge Scholars Publishing20101 online resource (212 p.)Description based upon print version of record.1-4438-2575-1 Includes bibliographical references and index.TABLE OF CONTENTS; INTRODUCTION; CREATIVITY AND CROSS-CULTURAL COLLABORATION; TRANSNATIONAL AESTHETICS AND BALINESE MUSIC; CAMBODIA'S TRIALS; 'MY DOG GIRL'; 'I AM CULTURES'; NAMELESS, SEXLESS, ROOTLESS, HOMELESS; DEDICATION TO MARI NABESHIMA (1972-2010); ADDITIONAL TRANSNATIONAL PERSPECTIVES ON SOUTHEAST ASIAN PERFORMANCE; CONTRIBUTORS; INDEXMutual borrowing, fluid transactions and transformations of performances and performers have a long and enduring history in Southeast Asia, but this trend has been heightened and made more vivid in the contemporary period. The omnipresence of global communications has provoked and inspired yet more novel experiments and collaborations between cosmopolitan artists and globally-oriented performers. This volume offers vital insights into recent developments in Southeast Asian performance. It dem...Performing artsSoutheast AsiaTheaterSoutheast AsiaPerforming artsTheater792.0959Noszlopy Laura1703224Cohen Matthew Isaac1695169MiAaPQMiAaPQMiAaPQBOOK9910822122103321Contemporary Southeast Asian performance4088266UNINA