02582nam 2200565 450 991082201110332120230803195320.00-253-01162-0(CKB)2670000000528939(EBL)1636921(SSID)ssj0001131150(PQKBManifestationID)11638159(PQKBTitleCode)TC0001131150(PQKBWorkID)11110085(PQKB)11788303(MiAaPQ)EBC1636921(OCoLC)870994502(MdBmJHUP)muse35028(Au-PeEL)EBL1636921(CaPaEBR)ebr10841992(CaONFJC)MIL577777(EXLCZ)99267000000052893920140313h20142014 uy 0engur|n|---|||||txtccrSinging Jeremiah music and meaning in Holy Week /Robert L. KendrickBloomington, Indiana :Indiana University Press,2014.©20141 online resource (351 p.)Music and the early modern imaginationDescription based upon print version of record.0-253-01156-6 Includes bibliographical references and index.Symbolic meanings, sonic penance -- Textual understandings, musical expressions -- Devotion, models, circulation, 1550-1600 -- Dynastic Tenebrae -- Static rites, dramatic music -- European Tenebrae c.1680 -- Ad honorem Passionis : Triduum music and rational piety -- Endings and continuities.A defining moment in Catholic life in early modern Europe, Holy Week brought together the faithful to commemorate the passion, crucifixion, and resurrection of Jesus Christ. In this study of ritual and music, Robert L. Kendrick investigates the impact of the music used during the Paschal Triduum on European cultures during the mid-16th century, when devotional trends surrounding liturgical music were established; through the 17th century, which saw the diffusion of the repertory at the height of the Catholic Reformation; and finally into the early 18th century, when a change in aesthetics lMusic and the early modern imagination.Holy Week musicEuropeHistory and criticismHoly Week musicHistory and criticism.781.72/6Kendrick Robert L622336MiAaPQMiAaPQMiAaPQBOOK9910822011103321Singing Jeremiah4122103UNINA