02759nam 2200505Ia 450 991082186830332120240418143429.097801997243760199724377(MiAaPQ)EBC7037617(CKB)24235117800041(MiAaPQ)EBC415565(Au-PeEL)EBL415565(CaPaEBR)ebr10211812(CaONFJC)MIL115654(OCoLC)476243377(EXLCZ)992423511780004120071018d2008 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierMusic from behind the bridge[electronic resource] steelband aesthetics and politics in Trinidad and Tobago /Shannon Dudley1st ed.Oxford Oxford University Pressc2008xiv, 311 p. ill., mapsDiscography.Includes bibliographical references and index.Intro -- CONTENTS -- ILLUSTRATIONS -- 1 Introduction -- 2 The Steelband Movement and Music -- 3 An Unlikely Instrument -- 4 The National Instrument -- 5 Dropping the Bomb -- 6 A Showcase for Pan -- 7 The Rise of the Arranger -- 8 Community Participation -- 9 Contest and Control -- 10 Writing Their Own Tunes -- 11 From Panman to Pannist -- 12 Popular Culture and Nationalism -- Appendix I: Steel Pan Instruments -- Appendix II: Repertoire -- Appendix III: Panorama Winners, 1963-2007 -- BIBLIOGRAPHY -- DISCOGRAPHY -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Z.Music from behind the Bridge tells the story of the steelband from the point of view of musicians who overcame the disadvantages of poverty and prejudice with their extraordinary ambition. Literally referring to the poor neighborhoods nestled in the hills bordering Port of Spain to the East, "Behind the Bridge" is also a metaphor for conditions of social disadvantage and cultural resistance that shaped the steelband movement in the various Afro-Trinidadian communities where it first took root.Steel band musicTrinidad and TobagoHistory and criticismSteel bands (Music)Trinidad and TobagoHistoryPopular musicSocial aspectsTrinidad and TobagoSteel band musicHistory and criticism.Steel bands (Music)History.Popular musicSocial aspects785.680972983Dudley Shannon1707082MiAaPQMiAaPQMiAaPQ9910821868303321Music from behind the bridge4095013UNINA