03050 am 2200553 n 450 991049575640332120240104030518.02-86906-583-310.4000/books.pufr.13826(CKB)4100000007111238(FrMaCLE)OB-pufr-13826(PPN)231559593(EXLCZ)99410000000711123820181017j|||||||| ||| 0freuu||||||m||||D’encre et de sangLes Jésuites en Angleterre (1580-1610)Gaëlle SerenaToursPresses universitaires François-Rabelais20181 online resource (396 p.) 2-86906-364-4 Dès le début de la mission jésuite dans l'Angleterre d'Elizabeth Ire, lettres, autobiographies, pamphlets s'inscrivent dans un programme mis en place par la Compagnie de Jésus, visant tant à l'édification des catholiques anglais qu'au dénigrement du gouvernement de la reine auprès des peuples européens. À la fois outils de propagande et seuls moyens d'information possibles entre l'île et le continent, les écrits missionnaires permettent à leurs auteurs de donner corps à la communauté récusante clandestine, ainsi qu'à leur mission. Cette production n'est toutefois pas sans danger, les espions de la reine étant nombreux. Pour peu que ces textes tombent entre de mauvaises mains, les conséquences pour leurs auteurs et leurs proches peuvent être dramatiques. C'est pourquoi les lettres sont chiffrées ou écrites à l'encre sympathique afin que le message ne se révèle qu'aux yeux de l'initié. Cette écriture secrète ne suffit pas toujours à protéger le texte. Pour autant, les jésuites ne cessent d'écrire, jusqu'au fond du cachot parfois où la plume et le papier leur sont pourtant interdits. Les graffitis ou les lettres griffonnées à la hâte avec le charbon d'une bougie attestent l'urgence qui préside à l'acte d'écriture, lequel semble dépasser la seule visée programmatique pour revêtir une dimension ontologique, permettant à l'auteur de dépasser le traumatisme de l'expérience immédiate et de renouer avec sa propre identité, mise à mal par l'exil, la prison ou la perspective de l'exécution.ReligionHistoryjésuitespropagandeAngleterrediplomatieClergéépoque modernerépression politiquemissionnaireslittérature clandestineReligionHistoryjésuitespropagandeAngleterrediplomatieClergéépoque modernerépression politiquemissionnaireslittérature clandestineSerena Gaëlle1458398FR-FrMaCLEBOOK9910495756403321D’encre et de sang3658280UNINA04811nam 2200589Ia 450 991079230130332120230803023851.01-78320-081-2(CKB)2560000000103822(EBL)1222414(SSID)ssj0000971002(PQKBManifestationID)11553522(PQKBTitleCode)TC0000971002(PQKBWorkID)10945700(PQKB)11216947(MiAaPQ)EBC1222414(Au-PeEL)EBL1222414(CaPaEBR)ebr10720138(CaONFJC)MIL497284(OCoLC)852757578(EXLCZ)99256000000010382220130225d2013 uy 0engurcn|||||||||txtccrClown through mask[electronic resource] the pioneering work of Richard Pochinko as practised by Sue Morrison /by Veronica Coburn and Sue MorrisonBristol ;Chicago, IL Intellectc20131 online resource (570 p.)Description based upon print version of record.1-84150-574-9 Includes bibliographical references.Front Cover; Half-title; Title; Copyright; Contents; Preface; INTRODUCTION; What Is A Clown?; How Does The Red Nose Work?; Modern Performance Clown: Clown Theatre; What Pochinko Clown Has To Offer The Art Form; BACKGROUND INFORMATION; Chapter 1: Richard Pochinko; Historical Photos; Chapter 2: Sue Morrison; PART ONE: The Basics of Pochinko Clown; Chapter 3: The First Day; Daughters Of Copperwoman: Clowns; Chapter 4: Preparatory Exercises; The First Exercise; Clown Games: Jacques Á Dit; Clown Games: Mr. Hit!; Sensory Exercises: Walk To The Wall; Sensory Exercises: Walk To The Energy WallSensory Exercises: Run To The Energy Wall Synopsis; Chapter 5: First Foundation Exercise For Clown; First Foundation Exercise For Clown: Present Yourself; Synopsis; Chapter 6: First Foundation Exercise For Mask; First Foundation Exercise For Mask: Masterpiece/Creator; Synopsis; Chapter 7: Second Foundation Exercise For Clown; Second Foundation Exercise For Clown: Fantastic Spaces; Synopsis; Chapter 8: Second Foundation Exercise For Mask; Second Foundation Exercise For Mask: Exploration Of Colour; Ritual: The Entry, Commitment & Exploration; Experience: Independent Visualization; Public ShameSynopsis PART TWO: Building a Personal Mythology; Chapter 9: Making One North; Building A Personal Mythology; Making One North; Ritual; Workshop Photos; Public Shame; Synopsis; Workshop Photos; Chapter 10: Experience & Innocence; Saying Goodbye To Someone You Love; Return To Childhood; Synopsis; Chapter 11: Painting One North; Ritual; Public Shame; Synopsis; Chapter 12: Wearing One North; Experience; Ritual; Workshop Photos; Experience: The Mantel Of Myth; Workshop Photos; Public Shame; Workshop Photos; Innocence; Ritual; Experience; Public Shame; Mask as ToolPublic Performance: The Red Nose Turn Synopsis; Chapter 13: Checking In; Chapter 14: The First Turn; The Turn Of One North: Survival; Daily Practice; Impulse Exercise; The First Turns; Workshop Photos; Synopsis; PART THREE: Masks Two to Six; Chapter 15: Making & Wearing Mask Two South; Mask Photos; Synopsis; Chapter 16: Making & Wearing Mask Three East - Time To Check In; Synopsis; Chapter 17: Making & Wearing Mask Four West; Mask Photos; Synopsis; Chapter 18: Making & Wearing Mask Five Below Below; Synopsis; Chapter 19: Making & Wearing Mask Six Above Above; PART FOUR: PerformanceChapter 20: The Turn For Two South All Things To Do With Script; Example Two South; Synopsis; Chapter 21: The Turn For Three East; All Things To Do With Truth; A Truthful Body; Maintaining Truth; Synopsis; Chapter 22: The Turn For Four West; All Things To Do With Connection; Synopsis; Chapter 23: The Turn For Five Below Below; Momentum; Synopsis; Chapter 24: The Turn For Six Above Above; The Game; Synopsis; Chapter 25: The Soirée; PART FIVE: Joey & Auguste; Chapter 26: The Basics; Synopsis; Chapter 27: Performance Exercises; The First Performance Exercise - Working In PairsFirst Words: The Introduction of SpeechRichard Pochinko (1946-89) played a pioneering role in North American clown theatre through the creation of an original pedagogy synthesizing modern European and indigenous Native American techniques.ClownsNorth AmericaClowns791.33Coburn Veronica1537058Morrison Sue1537059MiAaPQMiAaPQMiAaPQBOOK9910792301303321Clown through mask3786158UNINA07806nam 2200469 450 991082180010332120231004065659.01-78969-213-X(CKB)4100000012027295(MiAaPQ)EBC6728867(Au-PeEL)EBL6728867(EXLCZ)99410000001202729520220601d2019 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierExecution by Styrax in ancient Thasos /Anagnostis P. AgelarakisOxford, England :Archaeopress Publishing Limited,[2019]©20191 online resource (50 pages)Cover -- Title Page -- Copyright Information -- Copyright Information -- Contents -- List of Figures -- List of Graphs -- Introduction -- Figure 1. Map of the geographic region, Paros and Thasos Islands in the Aegean Sea, within the Eastern Mediterranean basin and the adjoining context of the Black Sea. -- Figure 2. Silver tetradrachm of Thasos. Obverse: Ivy crowned Head of Dionysus, facing left -- Obverse: ΘΑΣΙΟΝ (THASION) [plural genitive form of Thasios], right kneeling Herakles, facing right, right-handed shooting arrow through recurve bow, with rose in -- Figure 3. Amphora handle stamped ΘΑΣΙΩΝ (THASION) [plural genitive form of Thasios], right kneeling Herakles, facing right, right-handed shooting arrow through recurve bow (courtesy of late Dr. Marina Sgourou, Hellenic Archaeological Service, Chief Archa -- Archaeo-anthropological research in Thasos island -- Figure 4. In Thasos Agora region with collaborator, late Dr. Marina Sgourou, Hellenic Archaeological Service, Chief Archaeologist for the Ancient City of Thasos -- offering a guided tour to the Adelphi student field team through the archaeological landmarks -- Figure 5. Myroni site field map with plotted burial features -- arrows point to the topographic locus of burial feature No. 138, the cyst grave of the Thasian male, and the cluster of its adjoining graves. -- Figure 6. View of the ancient commercial harbor of Thasos, still in use by fishermen and seafarers in Limenas the modern capital city of Thasos Island. -- Figure 7. Wooden boat repair activities taking place in the Limenas harbor of Thasos. -- Aspects of the human condition decoded through analysis of the osteological record.Figure 8. Image of burial feature No. 138, the cyst grave with uncovered thick stone slab, showing the Thasian male individual in situ, laying in an extended supine position and facing SW (courtesy of excavator, Dr. Eustratios Papadopoulos, Ephor of Hell -- Figure 10. Public symphysis, right side component, showing surface changes relative to aging process -- delineated by the redlined shape. -- Figure 9. Mandibular ramus right side fragment with retained condyle (component of the temporomandibular diarthrosis) showing most advanced manifestations of osteoarthropathic changes -- delineated by the redlined oblique shape. -- Figure 11. Forearm bones (radius, and distally incompletely preserved ulna) of left side. -- Figure 12. Superior view of lumbar vertebrae: small arrows identify advanced spondyloarthropathic in nature osteophytic growths, marginal to the vertebral bodies -- dotted arrows indicate spondyloarthropathic lipping at superior articular processes -- ovoid s -- Figure 13. Left femoral proximal third component focusing on anterior neck changes -- delineated by the ovoid shape. -- Figure 14. Left femoral distal third component focusing on intercondylar osteoarthropathic lipping (arrows), and subchondral condylar bone osteoarthropathic changes compounded by sclerotic, eburnated, loci. -- Palaeopathological differential diagnosis: Not a sternal foramen -- Figure 15. Illustration of sternal anatomic components. -- Figure 16. Illustration of demi-macerated thoracic cavity to illustrate a rendering of an approximate position and size of a sternal foramen. -- Figure 17. Sternal manubrium, corpus, and xiphoid process of Thasian male, ventral view. -- Figure 18. X-ray image of sternal manubrium, corpus, and xiphoid process of Thasian male, ventral view. -- Figure 19. Sternal corpus and xiphoid process of Thasian male, ventral view.Figure 20. X-ray image of sternal corpus and xiphoid process of Thasian male, ventral view. -- Figure 21. Focus on the ventral surface of manubrium sterni and the heptagonal styrax' base of sharp tip hedra imprint and its metrics. -- Figure 22. Focus on the ventral surface of manubrium sterni and the styrax' heptagonal sharp tip penetration impact and its metrics. -- Figure 23. Focus on the dorsal surface of manubrium sterni and the styrax' heptagonal sharp tip penetration 'exit' impact. -- Identification and reproduction of the weapon type and component which was used to pierce through the corpus sterni -- Figure 24. Technical drawing, rendering of styrax' base and sharp tip component based on retrieved and reconstructed metrics. -- Figure 25. Illustration, rendering of the stryrax component cast in bronze. -- Figure 26. Projections of the mesial line and of a transversal directional on the 'entry' and 'exit' wound imprints caused by the 'through and through' corpus sterni stabbing. -- The anatomic consequences of the trauma impact by the thrusting of the styrax into the mediastinum, and assessment on the cause of death -- Figure 27. Illustration of a generic sternocostal component with emphasis on the delineated mesial traces of the right pleural and lung domains, as well as of the cardiac position. -- Experimental archaeometry through Physics, testing for data relevant to a styrax thrusting into the thorax -- Figure 28. Dr. Bentley in area of the Physics Department laboratories with student assistants in preparations for the archaeometric tests (courtesy of Dr. Sean Bentley). -- Figure 29. Ballistic model penetrated by the sharp tip of the styrax in the rib case (broken rib) -- jabbed through an 'overhand' striking, by the author.Figure 30. Two replicated styrax component models, with an elongated based component so that hafting to a wooden spear shaft would be possible (one with the sharp styrax tip broken off due to heavy handling) used in the Physics lab for the archaeometric t -- Figure 31. The 4th sternebra of the ballistic model penetrated by the sharp styrax tip -- jabbing by contact thrusting, by Dr. Bentley (courtesy of Dr. Sean Bentley). -- Figure 32. Close up of the 'through and through' jabbing of the 4th sternebra by contact thrusting (courtesy of Dr. Sean Bentley). -- Trauma interpretation and discussion of causes for the execution of the Thasian -- Epilogue -- Figure 33. Mute stones of ancient Thasos, witnesses to Lysander's atrocities. -- Acknowledgements.This essay presents a unique forensic / bioarchaeological investigation of the traumatised remains of an older male from Thasos, exploring the nature of the executing weapon reconstructed in bronze, the archaeometry on the trajectory and factors of speed and force at the deliverance of the deadly strike.Capital punishmentGreeceThasos IslandAntiquitiesFuneral rites and ceremoniesGreeceThasos IslandAntiquitiesExcavations (Archaeology)GreeceThasos IslandCapital punishmentAntiquities.Funeral rites and ceremoniesAntiquities.Excavations (Archaeology)939.11Agelarakis Anagnostis P.1956-781228MiAaPQMiAaPQMiAaPQBOOK9910821800103321Execution by Styrax in ancient Thasos4006211UNINA