02908nam 2200649Ia 450 991082159460332120200520144314.01-134-50404-71-281-90119-997866119011960-203-88596-1(CKB)1000000000578272(EBL)371000(OCoLC)437239240(SSID)ssj0000184968(PQKBManifestationID)11165875(PQKBTitleCode)TC0000184968(PQKBWorkID)10207300(PQKB)11467669(MiAaPQ)EBC371000(Au-PeEL)EBL371000(CaPaEBR)ebr10274255(CaONFJC)MIL190119(OCoLC)318632831(FINmELB)ELB151559(EXLCZ)99100000000057827220080722d2009 uy 0engur|n|---|||||txtccrJane Campion /Deb Verhoeven1st ed.London ;New York Routledge20091 online resource (286 p.)Routledge film guidebooksDescription based upon print version of record.0-415-26275-5 0-415-26274-7 Includes bibliographical references (p. [240]-263) and index.Includes filmography: p. [220]-239.BOOK COVER; TITLE; COPYRIGHT; CONTENTS; LIST OF ILLUSTRATIONS; ACKNOWLEDGEMENTS; INTRODUCTION Being Jane Campion in a Post-Campion World?; 1 BECOMING JANE CAMPION Modes of auteurism and the media; 2 REALIZING JANE CAMPION The industry, politics and economics of contemporary auteurism; 3 DISCIPLINING JANE CAMPION Auteurism and the knowing audience; 4 JANE CAMPION ON JANE CAMPION One more interview; CHRONOLOGY; FILMOGRAPHY; BIBLIOGRAPHIC RESOURCES; GLOSSARY; INDEXJane Campion is one of the most celebrated auteurs of modern cinema and was the first female director to be awarded the prestigious Palme d'Or. Throughout her relatively short career, Campion has received extraordinary attention from the media and scholars alike and has provoked fierce debates on issues such as feminism, colonialism, and nationalism. In this detailed account of Jane Campion's career as a filmmaker, Deb Verhoeven examines specifically how contemporary film directors 'fashion' themselves as auteurs - through their personal interactions with the media, in their choice oRoutledge film guidebooks.Motion picture producers and directorsNew ZealandMotion picture producers and directors791.4302/33092791.430233092Verhoeven Deb1185828MiAaPQMiAaPQMiAaPQBOOK9910821594603321Jane Campion4005704UNINA