03021oam 2200709Ia 450 991082146110332120190503073341.00-262-30923-81-282-09911-697866120991130-262-26817-51-4356-0600-0(CKB)1000000000479492(EBL)3338739(SSID)ssj0000106092(PQKBManifestationID)11125142(PQKBTitleCode)TC0000106092(PQKBWorkID)10108024(PQKB)11490802(OCoLC)181029068(OCoLC)191953414(OCoLC)474273589(OCoLC)647663797(OCoLC)722602919(OCoLC)743198328(OCoLC)756546746(OCoLC)815776622(OCoLC)888794947(OCoLC)961521113(OCoLC)962719276(OCoLC)991993762(OCoLC)1055354635(OCoLC)1058138171(OCoLC)1064634313(OCoLC)1081278576(OCoLC-P)181029068(MaCbMITP)7488(Au-PeEL)EBL3338739(CaPaEBR)ebr10194153(CaONFJC)MIL209911(OCoLC)181029068(MiAaPQ)EBC3338739(EXLCZ)99100000000047949220071109d2007 uy 0engur|n|---|||||txtccrThe artificial and the natural an evolving polarity /edited by Bernadette Bensaude-Vincent and William R. NewmanCambridge, Mass. MIT Press©20071 online resource (341 p.)Dibner Institute studies in the history of science and technologyDescription based upon print version of record.0-262-02620-1 Includes bibliographical references and index.10 Spinoza on the Natural and the Artificial11 Eighteenth-Century Wetware; 12 Overtaking Nature? The Changing Scope of Organic Chemistry in the Nineteenth Century; 13 Reconfiguring Nature through Syntheses: From Plastics to Biomimetics; 14 Concluding Comments; Contributors; IndexNotions of nature and art as they have been defined and redefined in Western culture, from the Hippocratic writers and Aristotle of Ancient Greece to nineteenth-century chemistry and twenty-first century biomimetics.Dibner Institute studies in the history of science and technology.ScienceEuropeHistorySciencePhilosophyHistoryPhilosophy, EuropeanHistoryScience, MedievalSCIENCE, TECHNOLOGY & SOCIETY/History of ScienceScienceHistory.SciencePhilosophyHistory.Philosophy, EuropeanHistory.Science, Medieval.501Bensaude-Vincent Bernadette67827Newman William R.1955-1700622OCoLC-POCoLC-PBOOK9910821461103321The artificial and the natural4083751UNINA