04001nam 2200709Ia 450 991082138930332120200520144314.00-8156-5192-9400216513432027/heb34604(CKB)3170000000060446(EBL)3410116(SSID)ssj0000826789(PQKBManifestationID)11450284(PQKBTitleCode)TC0000826789(PQKBWorkID)10809325(PQKB)10400214(MiAaPQ)EBC3410116(OCoLC)824502806(OCoLC)847549929(OCoLC)956997657(OCoLC)959608922(OCoLC)960976356(OCoLC)961672515(OCoLC)962412198(OCoLC)962587961(OCoLC)965143670(OCoLC)967071744(OCoLC)968412311(OCoLC)971247063(OCoLC)973772905(OCoLC)981995579(OCoLC)988086315(OCoLC)990544457(OCoLC)993686804(OCoLC)999651631(OCoLC)1002027849(OCoLC)1003976819(OCoLC)1020003301(OCoLC)1022729010(OCoLC)1027191734(OCoLC)1029446235(OCoLC)1031318628(OCoLC)1034630587(OCoLC)1037746566(MdBmJHUP)muse18594(OCoLC)845032743(Au-PeEL)EBL3410116(CaPaEBR)ebr10645492(CaONFJC)MIL946850(OCoLC)847549929(dli)HEB34604.0001.001(MiU)MIU346040001001(EXLCZ)99317000000006044620120823d2012 uy 0engur|n|---|||||txtccrPicturing disability beggar, freak, citizen, and other photographic rhetoric /Robert Bogdan, with Martin Elks and James A. Knoll1st ed.Syracuse, N.Y. Syracuse University Press20121 online resource (222 p.)Critical perspectives on disabilityDescription based upon print version of record.0-8156-3302-5 Includes bibliographical references (p. 181-185) and index.""Contents""; ""Illustrations""; ""Acknowledgments""; ""Abbreviations""; ""Introduction""; ""Freak Portraits""; ""Begging Cards""; ""Charity""; ""Asylums""; ""Clinical Photographs""; ""Advertising Photographs""; ""Movie Stills""; ""Art for Art�s Sake""; ""Citizen Portraits""; ""Conclusion""; ""References""; ""Index"""In Picturing Disability Bogdan and his collaborators gather over 200 historical photographs showing how people with disabilities have been presented and exploring the contexts in which they were photographed. Rather than focus on the subjects, Bogdan turns his gaze on the people behind the camera. He examines the historic and cultural environment of the photographs to decipher the relationship between the images and the perspectives of the picture makers. In analyzing the visual rhetoric of these photographs, Bogdan identifies the wide variety of genres, from sideshow souvenirs to clinical photographs. Ranging from the 1860s, when photographs first became readily available, to the 1970s, when the disability rights movement became a force for significant change, Bogdan chronicles the evolution of disability image creation. Picturing Disability takes the reader beyond judging images as positive or slanderous to reveal how particular contexts generate specific emotions and lasting depictions."--Jacket.Critical Perspectives on DisabilityPeople with disabilitiesPortraitsPeople with disabilitiesHistorySociology of disabilityPeople with disabilitiesPeople with disabilitiesHistory.Sociology of disability.305.9/08Bogdan Robert124273Elks Martin1669537Knoll James A1669538MiAaPQMiAaPQMiAaPQBOOK9910821389303321Picturing disability4030765UNINA