01064nam a2200253 i 4500991000668359707536100401s2007 it 000 0 ita db13892691-39ule_instDip.to Filologia Class. e Scienze FilosoficheitaAncient Christianity and "Magic" =Il cristianesimo antico e la "magia" /edited by = a cura di Tobias Nicklas and Thomas J. Krauscristianesimo antico e la "magia"Bologna :edizioni Dehoniane, [2007]p. 217-550 p. ;22 cmAnnali di storia dell'esegesi ;24 (2007)Contiene riferimenti bibliograficiNicklas, TobiasKraus, Thomas J.Annali di storia dell'esegesi.b1389269101-04-1001-04-10991000668359707536LE007 PER Ann. Esegesi 20071le007-E0.00-n- 00000.i1510303101-04-10Ancient Christianity and "Magic"224573UNISALENTOle00701-04-10ma -itait 0004205nam 2200553 450 991082137220332120230809224220.090-04-34213-310.1163/9789004342132(CKB)3710000001386680(MiAaPQ)EBC5024364 2017015258(nllekb)BRILL9789004342132(EXLCZ)99371000000138668020171011h20172017 uy 0engurcnu||||||||rdacontentrdamediardacarrierSong acts[e-book] writings on words and music /by Lawrence Kramer ; foreword by Richard Leppert ; edited by Walter BernhartLeiden, Netherlands ;Boston, [Massachusetts] :Brill Rodopi,2017.©20171 online resource (463 pages) illustrationsWord and Music Studies,1566-0958 ;Volume 1690-04-34212-5 Includes bibliographical references and index.Song [1984/2016] -- The Schubert Lied: Romantic Form and Romantic Consciousness [1986/2016] -- Performance and Social Meaning in the Lied: Schubert’s Erster Verlust [1994]* -- “Syringa”: John Ashbery and Elliott Carter [1980/1984] -- Decadence and Desire: The Wilhelm Meister Songs of Wolf and Schubert [1987] -- Hugo Wolf: Subjectivity in the Fin-de-Siècle Lied [1996/2009] -- Recognizing Schubert: Musical Subjectivity, Cultural Change, and Jane Campion’s The Portrait of a Lady [2002] -- “Little Pearl Teardrops”: Schubert, Schumann, and the Tremulous Body of Romantic Song [2002] -- The Harem Threshold: Turkish Music and Greek Love in Beethoven’s “Ode to Joy” [1998] -- Like Falling Leaves: The Erotics of Mourning in Four Drum-Taps Settings [2002] -- Murderous Women in German Opera [2008] -- “Longindyingcall”: of Music, Modernity, and the Sirens [2006] -- Recalling the Sublime: The Logic of Creation in Haydn’s Creation* [2009] -- Wagner’s Gold Standard: Tannhäuser and the General Equivalent [2010] -- The Talking Wound and the Foolish Question: Symbolization in Parsifal [2006] -- The Great American Opera: Klinghoffer, Streetcar, and the Exception [2007] -- Modern Madrigalisms: Elliott Carter and the Aesthetics of Art Song [2014] -- The Strange Case of Beethoven’s Coriolan: Romantic Aesthetics, Modern Subjectivity, and the Cult of Shakespeare [1995] -- The Strange Case of Beethoven’s Coriolan: Romantic Aesthetics, Modern Subjectivity, and the Cult of Shakespeare [1995] -- Tolstoy’s Beethoven, Beethoven’s Tolstoy: The Kreutzer Sonata [1997/2006] -- Subjectivity Unbound: Music, Language, Culture [2003/2012].This volume collects twenty of Lawrence Kramer’s seminal writings on art song (especially Lieder), opera, and word-music relationships. All examine the formative role of culture in musical meaning and performance, and all seek to demonstrate the complexity and nuance that arise when words and music interact. The diverse topics include words and music, music and poetry, subjectivity, the sublime, mourning, sexuality, decadence, orientalism, the body, war, Romanticism, modernity, and cultural change. Several of the earlier essays have been revised for this volume, which also contains a preface by the author and a foreword by Richard Leppert. The volume should be essential reading for scholars, students, performing musicians, and other music-lovers interested in musicology, word-music relationships, cultural studies, aesthetics, and intermediality.Word and music studies ;Volume 16.Musical criticismSongsHistory and criticismOperaMusic and literatureMusical criticism.SongsHistory and criticism.Opera.Music and literature.782Kramer Lawrence1946-758984Leppert Richard D.Bernhart WalterMiAaPQMiAaPQMiAaPQBOOK9910821372203321Song acts3985433UNINA