02108nam 2200409 n 450 99639604540331620200824121325.0(CKB)3810000000018686(EEBO)2240906744(UnM)99852157e(UnM)99852157(EXLCZ)99381000000001868619920423d1638 uy |engurbn||||a|bb|The protestation of the Generall Assemblie of the Church of Scotland, and of the noblemen, barons, gentlemen, borrowes, ministers and commons; subscribers of the Covenant, lately renewed, made in the high Kirk, and at the Mercate Crosse of Glasgow, the 28, and 29. of November 1638[electronic resource]Printed at Glasgow By George Andersonin the yeare of Grace, 1638[16] pWritten for the General Assembly by Archibald Johnston, Lord Warriston.A protest against the proclamation of 29 November dissolving the Assembly.Signatures: A-B⁴.Running title reads: Protestation November 29.In this state A2r has catchword "intruded"; first word on A2v is "intruded". Variant: quire A wrongly printed with the outer forme of STC 22047.5; first word on A2v is "of".Reproduction of the original in the Henry E. Huntington Library and Art Gallery.eebo-0055Church and stateScotlandEarly works to 1800ScotlandChurch history17th centuryEarly works to 1800Church and stateWarriston Archibald JohnstonLord,1611-1663.1001116Cu-RivESCu-RivESCStRLINWaOLNBOOK996396045403316The protestation of the Generall Assemblie of the Church of Scotland, and of the noblemen, barons, gentlemen, borrowes, ministers and commons; subscribers of the Covenant, lately renewed, made in the high Kirk, and at the Mercate Crosse of Glasgow, the 28, and 29. of November 16382351763UNISA01737nam 2200457 450 991082136480332120230814234748.01-922454-95-8(CKB)4100000011930256(MiAaPQ)EBC6627603(Au-PeEL)EBL6627603(OCoLC)1252426048(EXLCZ)99410000001193025620220601d2018 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierIntention and unintention, or, the hyperconscious in contemporary lyric impulse /Grant CaldwellNorth Melbourne, Victoria :Australian Scholarly Publishing,[2018]©20181 online resource (120 pages)1-925588-80-7 Includes bibliographical references.The question of how lyric poetry is written, especially in the moment when it first arrives with a poet, is vexed. Grant Caldwells discussion of the hyperconscious and of poetic unintentionality in the contemporary lyric impulse constitutes an original contribution to knowledge in this field.PoetryHistory and criticismPoetryAuthorshipLyric poetryHistory and criticismPoetryHistory and criticism.PoetryAuthorship.Lyric poetryHistory and criticism.808.1Caldwell Grant629061MiAaPQMiAaPQMiAaPQBOOK9910821364803321Intention and unintention, or, the hyperconscious in contemporary lyric impulse3982970UNINA