03671nam 2200781 a 450 991082130240332120240514040144.01-283-10991-397866131099100-8195-7182-20-585-38754-0(CKB)111056486736434(EBL)776733(OCoLC)767498320(SSID)ssj0000201661(PQKBManifestationID)11183741(PQKBTitleCode)TC0000201661(PQKBWorkID)10245522(PQKB)10870372(OCoLC)49569024(MdBmJHUP)muse1371(Au-PeEL)EBL776733(CaPaEBR)ebr10468428(CaONFJC)MIL310991(MiAaPQ)EBC776733(EXLCZ)9911105648673643419981110d1999 uy 0engur|n|---|||||txtccrMetal, rock, and jazz perception and the phenomenology of musical experience /Harris M. Berger1st ed.Hanover, N.H. University Press of New Englandc19991 online resource (578 p.)Music/culture"Wesleyan University Press."0-8195-6371-4 Includes bibliographical references (p. 315-323) and index.Cover; Half title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; 1. An Introduction to Central Issues in Ethnomusicology and Folklore: Phenomenology and Practice Theory; I. The Ethnography of Musical Practice; 2. Commercial Hard Rock in Cleveland, Ohio: Dia Pason and Max Panic; 3. Heavy Metal in Akron, Ohio: Winter's Bane and Sin-Eater; 4. Two Jazz Scenes in Northeast Ohio; II. The Organization of Musical Experience and the Practice of Perception; 5. The Organization of Attention in Two Jazz Scenes6. The Organization of Attention in the Rock and Metal Scenes7. Tonality, Temporality, and the Intending Subject (1): Chris Ozimek and "Turn for the Worse"; 8. Tonality, Temporality, and the Perceptual Subject (2): Dann Saladin and "The Final Silencing"; 9. Conclusions: Perceptual Practice and Social Context; III. Music, Experience, and Society: Death Metal and Deindustrialization in an American City; 10. Death Metal Perspectives: Affect, Purpose, and the Social Life of Music; 11. A Critical Dialogue on the Politics of the Metal Underground: Race, Class, and Consequence12. Conclusion: The Scope of EthnomusicologyNotes; Glossary; Selected Bibliography; IndexA lively comparison of musical meaning in Ohio's Jazz, metal, and hard rock scene.Music/culture.Musical perceptionMusicPhilosophy and aestheticsRock musicOhioClevelandHistory and criticismRock musicOhioAkronHistory and criticismJazzOhioClevelandHistory and criticismJazzOhioAkronHistory and criticismMusicSocial aspectsMusical perception.MusicPhilosophy and aesthetics.Rock musicHistory and criticism.Rock musicHistory and criticism.JazzHistory and criticism.JazzHistory and criticism.MusicSocial aspects.781.65Berger Harris M.1966-1682040MiAaPQMiAaPQMiAaPQBOOK9910821302403321Metal, rock, and jazz4069116UNINA