04361nam 2200721Ia 450 991082113920332120200520144314.00-262-31386-31-299-45774-60-262-31385-5(CKB)2550000001018773(EBL)3339609(SSID)ssj0000860517(PQKBManifestationID)11507803(PQKBTitleCode)TC0000860517(PQKBWorkID)10895584(PQKB)11255416(MiAaPQ)EBC3339609(CaBNVSL)mat06504633(IDAMS)0b00006481d40248(IEEE)6504633(OCoLC)837366407(OCoLC)961599153(OCoLC)962703176(OCoLC)975595504(OCoLC)988435576(OCoLC)991927324(OCoLC)1037932799(OCoLC)1038636183(OCoLC)1045396779(OCoLC)1045471872(OCoLC)1048237692(OCoLC)1048746434(OCoLC)1055348309(OCoLC)1066565236(OCoLC)1081291300(OCoLC-P)837366407(MaCbMITP)9325(Au-PeEL)EBL3339609(CaPaEBR)ebr10686953(CaONFJC)MIL477024(OCoLC)837366407(EXLCZ)99255000000101877320120822d2013 uy 0engur|n|---|||||txtccrMoving without a body digital philosophy and choreographic thought /Stamatia Portanova1st ed.Cambridge, Massachusetts MIT Pressc20131 online resource (194 p.)Technologies of lived abstractionDescription based upon print version of record.0-262-01892-6 Includes bibliographical references and index.Contents; Series Foreword; Acknowledgments; Introduction: Thinking Choreography Digitally; I Imag(in)ing the Dance: Choreo-nexus; 0 To Perceive Is to Abstract; 1 Digital Abstractions: The Intuitive Logic of the Cut; II Remembering the Dance: Mov-objects; 10 Can Objects Be Preserved?; 11 Can Objects Change?; 100 Can Objects Be Processes?; III Thinking the Dance: Compu-sitions; 101 Numbered Dancers and Software Ballet; 110 When Memory Becomes Creation; A Germ of Conclusion: In Abstraction; Notes; IndexDigital technologies offer the possibility of capturing, storing, and manipulating movement, abstracting it from the body and transforming it into numerical information. In Moving without a Body, Stamatia Portanova considers what really happens when the physicality of movement is translated into a numerical code by a technological system. Drawing on the radical empiricism of Gilles Deleuze and Alfred North Whitehead, she argues that this does not amount to a technical assessment of software's capacity to record motion but requires a philosophical rethinking of what movement itself is, or can become. Discussing the development of different audiovisual tools and the shift from analog to digital, she focuses on some choreographic realizations of this evolution, including works by Loie Fuller and Merce Cunningham. Throughout, Portanova considers these technologies and dances as ways to think -- rather than just perform or perceive -- movement. She distinguishes the choreographic thought from the performance: a body performs a movement, and a mind thinks or choreographs a dance. Similarly, she sees the move from analog to digital as a shift in conception rather than simply in technical realization. Analyzing choreographic technologies for their capacity to redesign the way movement is thought, Moving without a Body offers an ambitiously conceived reflection on the ontological implications of the encounter between movement and technological systems.Technologies of lived abstraction.Movement (Philosophy)Human body (Philosophy)ChoreographyPhilosophyDigital artPhilosophyMovement (Philosophy)Human body (Philosophy)ChoreographyPhilosophy.Digital artPhilosophy.701/.8Portanova Stamatia1974-618491MiAaPQMiAaPQMiAaPQBOOK9910821139203321Moving without a body1071893UNINA