01140nam 2200397 450 991082113130332120200124134352.02-8080-0400-1(CKB)3840000000375345(Au-PeEL)EBL5218077(CaPaEBR)ebr11498294(OCoLC)1020028172(MiAaPQ)EBC5218077(EXLCZ)99384000000037534520200124d2017 uy 0spaurcnu||||||||txtrdacontentcrdamediacrrdacarrierEl enigma del grial la reliquia de los mil rostros. /por Florian Paret ; traducido por Laura Bernal Martin[Place of publication not identified] :50Minutos.es,[2017]©20171 online resource (26 pages)GrailGrail.001.94Paret Florian1666058Bernal Martin LauraMiAaPQMiAaPQMiAaPQBOOK9910821131303321El enigma del grial4025098UNINA03553nam 2200673 450 991081527810332120230814221930.090-04-36437-410.1163/9789004364370(CKB)4100000002601812(MiAaPQ)EBC5331627(OCoLC)1027739523(OCoLC)1015846318(nllekb)BRILL9789004364370(EXLCZ)99410000000260181220210425d2018 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierTouching the Passion--seeing late medieval altarpieces through the eyes of faith /by Donna L. SadlerLeiden ;Boston :Brill,2018.1 online resource (xvi, 255 pages) illustrationsBrill's studies on art, art history, and intellectual history ;v. 26Brill's studies in intellectual history,0920-8607 ;v. 27990-04-36019-0 Includes bibliographical references and index.Front Matter -- Copyright page -- -- Acknowledgements -- List of Illustrations -- Coming to Terms with the Late Medieval Altarpiece -- A Tale of Two Retables from the Benedictine Monastery of Crisenon in the Musée-Abbaye Saint-Germain, Auxerre -- The Aesthetics of Immersion: The Reception of the Retable by the Worshipers -- Engagement with the Pathos of the Passion -- The Role of the Frame -- Epilogue: The Late Medieval Altarpiece as House of Memory.In Touching the Passion - Seeing Late Medieval Altarpieces through the Eyes of Faith , Donna Sadler explores the manner in which worshipers responded to the carved and polychromed retables adorning the altars of their parish churches. Framed by the symbolic death of Christ re-enacted during the Mass, the historical account of the Passion on the retable situated Christ's suffering and triumph over death in the present. The dramatic gestures, contemporary garb, and wealth of anecdotal detail on the altarpiece, invited the viewer's absorption in the narrative. As in the Imitatio Christi , the worshiper imaginatively projected himself into the story like a child before a dollhouse. The five senses, the sculptural medium, the small scale, and the rhetoric of memory foster this immersion.Brill's Studies in Intellectual Historyv. 279.Brill's studies in intellectual history.Brill's studies on art, art history, and intellectual history ;v. 26.Public worshipHistoryAltarpieces, MedievalChurch historyMiddle Ages, 600-1500FaithAltarpieces, MedievalfastChurch historyMiddle AgesfastFaithfastPassion of Jesus ChristfastPublic worshipfastArt.fastHistory.fastPublic worshipHistory.Altarpieces, Medieval.Church historyFaith.Altarpieces, Medieval.Church historyMiddle Ages.Faith.Passion of Jesus Christ.Public worship.247/.1Sadler Donna L966656NL-LeKBNL-LeKBBOOK9910815278103321Touching the Passion--seeing late medieval altarpieces through the eyes of faith4050620UNINA