01064nam0 22002653i 450 VAN011619320180502092310.8828-88-906834-3-520180502d2014 |0itac50 baitaIT|||| |||||ˆIl ‰bandolo dell'Euromatassaè stata l'Organizzazione Mondiale del Commercio ad annientare l'Unione EuropeaDario Ciccarelliprefazione di Augusto SinagraNapoliFondazione Il Giglio2014117 p.24 cm.NapoliVANL000005CiccarelliDarioVANV089726504822SinagraAugustoVANV000119Fondazione il giglioVANV114772650ITSOL20210512RICABIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZAIT-CE0105VAN00VAN0116193BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA00CONS X.Ed.319 00VS 116193 20180502 Bandolo dell'Euromatassa1523852UNICAMPANIA03682nam 2200733 450 991082108240332120230912130256.01-282-02280-697866120228071-4426-8044-X10.3138/9781442680449(CKB)2420000000004390(OCoLC)244767225(CaPaEBR)ebrary10218780(SSID)ssj0000311216(PQKBManifestationID)11925218(PQKBTitleCode)TC0000311216(PQKBWorkID)10315791(PQKB)11146443(CaBNvSL)thg00600329 (DE-B1597)464913(OCoLC)1013956451(OCoLC)944177397(DE-B1597)9781442680449(Au-PeEL)EBL4672003(CaPaEBR)ebr11257689(CaONFJC)MIL202280(VaAlCD)20.500.12592/9m216x(schport)gibson_crkn/2009-12-01/6/418266(MiAaPQ)EBC4672003(MdBmJHUP)musev2_105277(MiAaPQ)EBC3254875(EXLCZ)99242000000000439020160922h20022002 uy 0engurcn|||||||||txtccrTemptations of Faust the logic of fascism and postmodern archaeologies of modernity /Evelyn CobleyToronto, [Ontario] ;Buffalo, [New York] ;London, [England] :University of Toronto Press,2002.©20021 online resource (322 p.) Bibliographic Level Mode of Issuance: Monograph0-8020-3657-0 Includes bibliographical references and index.Neo-romantic roots of German fascism -- Organic unity and the privileging of reason: Hegel and Beethoven -- Fascist undercurrents: appeals to authenticity and the privileging of reason -- Breakthrough into atonality (or postmodernism) -- Fascism and atonality (or postmodern play) -- Decentred totalities: fascism, capitalism, postmodernism.Temptations of Faust is a theoretical analysis of the conceptual paradigms that allowed German fascism to emerge in a highly civilized nation. Analyzing these paradigms through the dual lens of Thomas Mann's novel Doctor Faustus, his self-confessed parable of fascism about the avant-garde composer Adrian Leverknhn, and Theodor W. Adorno's Philosophy of Modern Music, this cultural study draws on aesthetic, sociohistorical, political, and philosophical discourses to conclude that German fascism is at once continuous and discontinuous with the emancipatory ambitions of modernity. Drawing on Adorno's sociohistorical critique of avant-garde music, Cobley connects Leverknhn's radical aesthetic innovation with Hitler's radical reconfiguration of Germany's administrative apparatus and discovers that postmodern processes of fragmentation may well remain complicit with the totalizing tendencies they seek to disrupt. This lucid and sophisticated book demonstrates that Doctor Faustus provides a more astute understanding of German fascism than Mann is usually given credit for.National socialismFascismPhilosophyHolocaust, Jewish (1939-1945)CausesElectronic books. National socialism.FascismPhilosophy.Holocaust, Jewish (1939-1945)Causes.320.53/3/0943Cobley Evelyn1087582MiAaPQMiAaPQMiAaPQBOOK9910821082403321Temptations of Faust4060748UNINA