03564nam 2200601 a 450 991082102010332120240314025648.01-4438-5122-1(CKB)2550000001107470(EBL)1336832(OCoLC)855505215(SSID)ssj0001170808(PQKBManifestationID)11693622(PQKBTitleCode)TC0001170808(PQKBWorkID)11172200(PQKB)11123671(Au-PeEL)EBL1336832(CaPaEBR)ebr10742392(CaONFJC)MIL507823(OCoLC)1230507186(FINmELB)ELB146999(MiAaPQ)EBC1336832(EXLCZ)99255000000110747020130816d2013 uy 0engur|n|---|||||txtccrWays ahead[electronic resource]proceedings of the First International Csound Conference /edited by Joachim Heintz, Alex Hofmann and Iain McCurdy1st ed.Newcastle, Neb. Cambridge Scholars Pub.c20131 online resource (311 p.)Description based upon print version of record.1-4438-4758-5 1-299-76572-6 TABLE OF CONTENTS; FOREWORD; HISTORY; CSOUND PAST, PRESENT AND FUTURE; HOW TO BECOME A CSOUND ROOT?; LICENSING CSOUND TO LGPL; DEVELOPMENT; USER-DEVELOPER ROUND TABLE I; WRITING CSOUND OPCODES IN LUA; THE CSOUND API; CSOUND AND OBJECT-ORIENTATION; THE HADRON PLUGIN AND THE PARTIKKEL OPCODE; DEVELOPING CSOUND PLUGINS WITH CABBAGE; WAVELETS IN CSOUND; MUSIC; PERFORMING WITH CSOUND; FINGERS IN THE WAVES; SPINNING PENDULUM CLOCK; RAZOR CHOPPER; ..ED IO STO AL CENTRO; GEOGRAPHIES; ZEITFORMATION; ...UND LÄCHELND IHR ÜBEL UMARMEN...; THE ECHO; TRÊS QUADROS SOBRE PEDRA; VINETA; CHEBYCHEVTHE RITE OF JUDGMENTCSOUND HAIKU; CONTINUOUS FLOW MACHINES; USAGE; THE CSOUND JOURNAL; DEVELOPING CSOUNDQT; PYTHON SCRIPTING IN CSOUNDQT; COMPOSING CIRCUMSPECTRAL SOUNDS; CREATING REVERB EFFECTS USING GRANULAR SYNTHESIS; INTRODUCING CSOUND FOR LIVE; COMPOSING WITH BLUE; THE UDO DATABASE; EDUCATION; USER-DEVELOPER ROUND TABLE II; A PERSONAL VIEW ON TEACHING CSOUND; PWGL; QUINCE; CSOUND AT HMTM HANNOVER; THE CSOUND REAL-TIME COLLECTION; TEACHING WITH CSOUND; COLLABORATIVE DOCUMENTATION OF OPEN SOURCE MUSIC SOFTWARE; IMPRESSIONS OF THE FIRST INTERNATIONAL CSOUND CONFERENCESCHEDULE OF THE FIRST INTERNATIONAL CSOUND CONFERENCEEDITORSThe first international Csound conference, held at the Hanover University of Music, Drama and Media (HMTMH) between 30th September and 2nd October 2011, marked the first time that the principal people involved with Csound - in existence since 1986 - met in person. This book documents not only the proceedings of this conference through its inclusion of the featured papers, workshop descriptions and round table summaries, but also includes interviews with developers and musicians, along with several new articles written exclusively for this publication. Reflecting the diversity of contributions Computer sound processingCongressesComputer sound processing780.285416Heintz Joachim1695077Hofmann Alex1695078McCurdy Iain1695079MiAaPQMiAaPQMiAaPQBOOK9910821020103321Ways ahead4074082UNINA